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Home»News»Global Free Speech»Ukraine: Trump’s peace plan is none of those three things
Global Free Speech

Ukraine: Trump’s peace plan is none of those three things

News RoomBy News Room6 months agoNo Comments8 Mins Read522 Views
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The long-running corruption scandal surrounding the diversion of funds from Ukraine’s energy sector proved to be both a prelude and stimulus to yet another round of “peace talks” initiated by the US Trump administration.

The scandal seemed to create fertile soil into which the White House could plant ideas for achieving peace in Ukraine. We now know that they were not trying to plant fresh saplings, but Putin’s old “forever” plan of total domination over Ukraine. The apparently fertile soil was the Ukrainian leadership’s weakened position due to the corruption scandal, which led to resignation of apparently the most powerful man after President Volodmyr Zelensky – the head of President’s office Andriy Yermak.

Ukrainians didn’t believe Yermak would resign until the very moment of his resignation. Essentially, Zelensky will have to reinvent himself as a president-without-Yermak. How easy or possible this will be is unclear. Regardless of the outcome of the criminal investigation, Yermak protected Zelensky from his own people and from others, practically controlling access to him.

Many in Ukraine believed that Yermak made all the decisions in the presidential office. In fact, if you analyse all of Yermak’s statements, you’ll see that Zelensky and Yermak said the same thing. In essence, Yermak was an “extension” of Zelensky – a kind of doppelganger only without the charisma. Some people who have met Yermak have noted that he possesses a rather negative charisma, but he always repeated Zelensky’s ideas, using more or less the same words.

At meetings with foreign partners, like Zelensky, he demanded military aid and support rather than asking for it. As the president of a country at war, foreign partners have forgiven Zelensky his forthrightness and occasionally insufficiently explicit expressions of gratitude for assistance provided. However, since the scandal with JD Vance at the White House over “ingratitude”, Zelensky has made a point of thanking foreign partners, especially President Trump much more often than before.

Some high-level guests to Ukraine didn’t immediately understand that Yermak was an extension of Zelensky, his most trusted confidant. However, they would almost certainly picked up on the feeling in Ukrainian society that Yermak was disliked.

Yermak’s reputation among Ukrainians was very negative, but not as sinister as the oligarch Viktor Medvedchuk’s under Ukraine’s Russian-sympathising second president Leonid Kuchma who was in office until 2005 and whose legacy still casts a shadow.

But then again, Yermak represented Zelensky’s inner circle of friends and business partners, which existed before Zelensky entered politics. Now, no one from this “inner circle” remains. At first, it seemed that the entire corruption affair, starting with Zelensky’s and Yermak’s attempt to wrest independence from National Anti-Corruption Bureau of Ukraine, (NABU) and the Specialised Anti-Corruption Prosecutor’s Office (SAP), to businessman Timur Mindych’s escape to Israel (just before his office was due to be raided by anti-corruption police over kickbacks from the energy sector), coincided too closely with the new negotiations about Trump peace plan.

Since independence, Ukrainian presidents have had eighteen heads of administration, and not all of them earned themselves negative reputations. Some came and went without being embroiled in high-profile corruption or political scandals. The latest scandal, however, is bound to cast a shadow over the entire office of the President since Mindych was co-owner of Zelensky’s Kvartal 95 production company, for which Yermak provided legal services before Zelensky’s official entry into politics.

Few Ukrainians can understand how it could be that a group of people like Mindych, his partner Oleksandr Zukerman and others so close to the presidential office, could have spent months siphoning money from state-owned enterprises in the energy sector. Why was it that only NABU signaled that something was wrong and that it involved Mindych? Why didn’t other intelligence agencies and law enforcement bodies stop their criminal activities sooner?

On Tuesday of last week, NABU representatives announced that more than 520 files containing personal information on 15 NABU detectives, National Security Services employees, journalists who write about corruption, and deputy ministers of justice, members of Parliament were discovered in a secret office belonging to Mindych’s group. This personal information, including home addresses, phone numbers, and so on, could only have been obtained through the police or other law enforcement agencies.

Now it appears that a real possibility that the peace negotiations could have been an attempt by the Zelensky administration (which meant Yermak) to resume negotiations in order to shift attention of Ukrainians from the Mindych case to the “peace process.” In other words, the initiative this time may have come from Zelensky.

Today Zelensky’s position, and therefore Ukraine’s one, is much weaker than before the Mindych scandal. Only very quick and decisive personnel changes can improve (but not correct) the situation. It would be better to change the tradition altogether and either rename the position of “head of the presidential administration” to something more political, or abolish it, replacing it with some narrow “office of political advisers.”

As to the peace plan, the obvious Russian origins of the plan, which was also proved by statements from US secretary of state Marco Rubio, sparked immediate controversy, first in Ukraine, and then in the United States itself.

It was precisely because of the protests from inside the USA that President Trump was at first forced to abandon his plan to aggressively force what he considered a weakened Zelensky into publicly accepting these most recent proposals. Within two days, the pressure on Zelensky was relaxed and the “plan” – a list of demands Ukraine should accept in exchange for peace or a ceasefire – began to shrink in scope and mutate, resulting quickly in rejection by Russia.

Under the original Putin-Witkoff plan, Ukraine was supposed to reduce its army, renounce possession of long-range missiles, withdraw from its own territory, and guarantee non-accession to NATO. For good measure, the plan also promised the US a 50% share of the profits from the reconstruction of devastated Ukraine, but omitted to make any demands on Russia – the aggressor country that has violated all possible international treaties and obligations. The idea that the USA should take 50% profits from reconstruction of Ukraine is so surreal it is hardly worth mentioning, except as a joke.

Even if Ukraine had agreed to all the demands, the plan would have remained a roadmap for Russia’s further aggression against Kyiv because it lacked the one element required to bring the aggression to an end – a change to the Russian Constitution.

The original 28-point plan guarantees the continuation of the war because it does not demand that Russia rescind the inclusion of four Ukrainian regions and the Autonomous Republic of Crimea in the Russian Constitution. At the very least, Russia should first remove from its constitution the two regions through which the front line currently runs – Kherson and Zaporizhia oblasts.

In Russia, every captured Ukrainian village is called “liberated” precisely because, in early October 2022, Putin signed constitutional amendments, which the Russian State Duma dutifully voted for. According to the amendments, five Ukrainian regions became the so-called “new territories” of Russia. Until they are are repealed, Russia will continue not only to occupy Ukrainian territories but also to seize further territory.

In just a couple of days, a 28-point pro-Russian plan has morphed into a draft of a 19-point, more pro-justice plan that Russia will not sign up to. Trump is no longer demanding Zelensky’s immediate agreement to negotiate, but preliminary talks are ongoing. Moreover, information has emerged about contacts in Abu Dhabi between Russian and Ukrainian intelligence officials and while Putin’s spokesman, Dmitry Peskov, states that Russia rejects this “American” plan, other Russian politicians are less categorical.

Last week another information bomb exploded across the world. Bloomberg gained access to recordings of phone calls between Steve Witkoff and Russian negotiator Kirill Dmitriev, as well as a conversation between Dmitriev and Putin aide Ushakov. These conversations confirmed the theory of the “peace plan’s” Russian origin.

But, what appears far more dangerous for Ukraine, it became clear that Witkoff, through Dmitriev, was advising Putin on when to call Trump and how best to communicate with the US president. Although Trump has so far defended Witkoff in this situation, just as Zelensky defended Yermak until it wasn’t possible any more, it is clear that Trump represents Russian interests more than those of Ukraine and Europe in the peace negotiations.

These are very dangerous times for Ukraine as the country seeks to negotiate a peace plan with Russia, backed by an unreliable US administration, all the while uncovering a major corruption scandal which goes to the heart of its president’s office.

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Hungary’s Sziget festival is known as a safe place to express yourself freely. Photo: Sandor Csudai/www.facebook.com/csudaisandor This article first appeared in the Spring 2026 issue of Index on Censorship, The monster unleashed: How Hungary’s illiberal vision is seducing the Western world published on 2 April 2026. Crossing Budapest’s brutalist K-Bridge across the Danube to Óbuda Island on a grey spring day feels like the last journey of a condemned prisoner. The steel truss bridge was built as a temporary measure in 1955, a year before the uprising in which university students and ordinary citizens took to the streets to protest against the Stalinist government of Mátyás Rákosi. The single set of railway tracks suggests a one-way journey. It was built to give access to Budapest’s great Ganz Danubius shipyard. The shipyard was finally closed in 2000, after years of decline. These days, the bridge acts more like a rabbit hole from Orbán’s Hungary into Wonderland. Every summer, hundreds of thousands of people young and old cross to the leafy island to be entertained by music, theatre and dance, and to be challenged by debate, art and film – the joyous week-long celebration of free expression that is the Sziget Festival. Sziget was born from the ashes of Communism. In 1993, four years after the fall of the Iron Curtain, Károly Gerendai was just 22. Thin and sporting a shock of long hair like a Hungarian David Gilmour, Gerendai had become interested in the music industry whilst in high school. As a student, he earned money fly-posting and as a tour manager. Later, he managed bands and worked for record labels. That year, he was in charge of Sziámi, one of the best-known alt-rock bands in the Hungarian underground scene. On the tour bus after a concert, he fell into conversation with Péter Müller, the band’s frontman. “We talked about how, after the political transition, the big youth events had disappeared,” Gerendai told Index. “Before the political transition of 1989–90, there were state-organised youth events, but we quickly realised that they mainly served as a way for the state to control young people. Although we could meet and have fun together, we always felt the state’s watchful eye on us.” State control extended beyond the audience and on to the stage. “In the music industry, strong state selection was also in place: there were supported, tolerated, and banned bands, so not everyone was allowed to be heard.” This is where the seed of something new was born. Post Iron Curtain Co-founder Károly Gerendai. Photo: Sziget Festival “We thought it would be great to organise a multi-day event where young people could be together – something like a holiday combined with concerts, various cultural programmes, and community activities,” he said. Gerendai and Müller approached Gábor Demszky, mayor of Budapest at the time and first of the post-Communist era, for help. “He supported the concept but told us to organise it ourselves,” Gerendai told Index. “Even though we had no experience with anything like this, we boldly jumped into the organisation.” This make-it-up-as-you-go-along approach was typical in post-Soviet eastern Europe. The mayor suggested three possible venues for the festival, one of which was Óbuda Island. The island punctuates the Danube like a giant green exclamation mark between the city’s two halves, Buda and Pest. “Two iconic music events had previously been held there, both attracting huge interest,” said Gerendai. “One was the 1980 Black Sheep concert, a rare occasion when both tolerated and banned bands were allowed to perform. Then in 1991, it was one of the venues for the ‘Goodbye, Ivan!’ event celebrating the withdrawal of Soviet troops. I had worked on that event, which is how I got to know the subcontractors we later invited to help organise our festival.” Hungary’s youth were ready for a party. After only a few months’ preparation, the festival – initially called Diáksziget, Student Island in Hungarian – attracted 43,000 visitors over seven days. “We organised the first festival with the slogan ‘We need a week together’, referring to a carefree, shared community experience. Another slogan was ‘Everything is allowed, but nothing is mandatory’, which was meant to help us leave the past behind, celebrate freedom in every sense, and express that we never again wanted to live in a dictatorship,” said Gerendai. A wobbly start The line-up for the first festival was largely made up of Hungarian artists, such as alt-rock band Kispál és a Borz, punk band Tankcsapda, and singer János Bródy. In all, 200 bands performed on the festival’s two stages, alongside open-air movies and theatre productions. Yet, as was often the case after the fall of Communism, things didn’t work out as planned. Despite receiving sponsorship from Pepsi, the country’s Nagykanizsa brewery, and some support from the city of Budapest, the festival lost money. Lots of it. “It didn’t go smoothly,” admitted Gerendai. “We faced numerous problems during the process and made serious financial miscalculations.” By the end of the festival, it had run up a huge deficit, and only survived thanks to a bailout by the city council. But after this first turbulent year, Sziget not only survived but thrived. The following year saw the number of festivalgoers – or Szitizens as they are usually known – increase to 143,000. International acts like Jethro Tull, The Birds, and Jefferson Starship started to appear on the line-up. “Sziget outgrew Hungary’s borders early on, and we consciously developed the programme lineup, services, and visual identity so that we would be seen as a unique festival on the international scene as well,” said Gerendai. A beacon of light Chappell Roan on stage at Sziget. Photo: Sziget Festival By 2019, the festival was attracting more than half a million visitors to the Hungarian capital every year. The festival’s reputation was such that it was bringing in some of the world’s biggest music acts, including Arctic Monkeys, Kendrick Lamar, Kings of Leon, P!nk, Rihanna, Muse and David Guetta. Óbuda Island has remained the home of the festival. “It’s a great location: close to downtown Budapest, yet also a green, nature-filled area. It’s also symbolic – an island surrounded by a river, where once you cross the bridge, you can leave everyday problems behind,” Gerendai told Index. “It’s the origin of the nickname given by visitors: the Island of Freedom.” This nickname comes from the festival’s commitment to allowing artists and festival goers to speak their views – and was easy to pull off in a liberal city like Budapest keen to attract to hordes of young foreign tourists to boost the economy. In Gerendai’s opinion, freedom of expression was one of the major achievements of Hungary’s political transition in the 1990s. “I believe freedom of expression is a broader concept than simply who we agree or disagree with; it’s not fundamentally our role to judge other people’s views. At Sziget, we have always provided space for differences of opinion and we respect artistic freedom of expression on stage as well. At the same time, we do set limits: we do not allow hate-inciting or human-dignity violating expressions, and we also do not give space to extremist productions whose audiences could potentially endanger the safety of festival visitors.” As well as music, the festival is a thriving forum for circus, street theatre, film, visual arts and cabaret. At the heart of the festival is an area called Think for Tomorrow. The zone addresses pressing social issues that have an impact on the lives of young people, from their own perspective. “NGOs and organisations that play an important role in social and cultural life have also had their own dedicated space at Sziget since the early days,” said Gerendai. “These groups are worth introducing to the festival audience, and their work aligns with Sziget’s core values, such as sustainability, the protection of human rights, and acceptance.” Stepping back Magic Mirror at Sziget. Photo: Kristóf Hölvényi /Rockstar Photographers www.instagram.com/kristofholvenyi/ Eight years ago, after running 25 Sziget festivals, Gerendai decided to step back and sell his interest in the festival to promoter Superstruct, owned by American private equity company KKR. “I decided to pass the baton and from then on followed the festival only as a guest,” he said. During his time at its helm, the values of the Sziget festival had grown increasingly at odds with those of Viktor Orbán’s Fidesz government. There is a huge LGBTQ+ presence at Sziget, both in visitors and artists, with the Magic Mirror venue on the site hosting themed content exploring the LGBTQ+ experience. After the Orbán government introduced anti-LGBTQ+ legislation in 2021, the festival’s new organisers came under pressure over its stance, and there were calls for them to ban under-18s from Magic Mirror. The organisers refused. Sziget’s audience has made itself heard on [former Hungarian prime minister] Orbán over the past few years. At the 2023 festival, during Hungarian rapper Krúbi’s performance the audience started chanting Mocskos Fidesz (Filthy Fidesz). This chant has since become popular common at the festival and at other music events. The Kneecap ban Friction between the festival and Orbán burst into the open in 2025 after Irish rappers Kneecap, who were due to perform at the festival that summer, were banned from the country for being a national security threat. Kneecap are outspoken critics of right-wing political ideology and are particularly scathing about the Israel-Gaza War. Kneecap (along with Bob Vylan) had performed inflammatory sets at Glastonbury the month before and Orbán, for his part, has been strengthening his strategic alliance with Israel, going so far as to declare that “Jewish communities are safer in Budapest than anywhere else in Europe”. Orbán told state broadcaster Kossuth Radio that he was angry that the band had been invited to play at Sziget. He claimed that the organisers’ decision was motivated by financial gain. “Is this damn money really that important?” Orbán asked the radio presenter. Even though they were unable to perform, Kneecap shared a message with festivalgoers gathering at the stage on which they were due to perform. The message read: “We wish we could be there with you at one of the best festivals in the world and the first European festival Kneecap ever played,” the message read. “We can’t because of one hate filled man. Viktor Orbán.” When this part of the message was displayed, a huge crowd who had been told on social media to expect something from the band started booing and chanting “Fuck Orbán”. The message continued: “We have been convicted of zero crimes in any country ever. But we will call out oppression. For calling out Israel’s genocidal campaign Viktor has banned us from your beautiful country for three years. Israel is committing a genocide against the Palestinian people. Viktor Orbán and his government support it. Viktor Orbán and his government tried to shut down Pride in Budapest. They failed. We must stand together. Oppose Orbán. Oppose Israel. Oppose genocide.” The festival’s robust stance in favour of LGBTQ+ rights has won it the European Festival Awards Take a Stand prize twice, in 2023 and 2026 (for 2025). The award recognises festivals that stand up for peaceful dialogue, humanism, tolerance, and mutual understanding – activities that do not necessarily chime with the profit imperative. Stepping forward again It is true, though, that since the Covid pandemic money has been a big problem for the Sziget festival. Like many other European music festivals, Sziget had struggled thanks to two years of cancellations, the spiralling cost of living, and sharply rising artist fees. The festival lost $5.6 million in 2023, and almost $12 million in 2024. In 2025, the company running the festival (without Gerendai) sent a letter to Budapest mayor Gergely Karácsony calling for the agreement between the festival and the city, as the island’s landowner, to be terminated. The festival seemed to be doomed. But the return of a familiar figure saved it at the last minute – its co-founder, Gerendai. “The new owner decided that they no longer wished to finance the festival, which had found itself in a difficult situation in the post-pandemic years due to economic conditions and, in my view, certain conceptual decisions as well,” said Gerendai. “They offered that if I took Sziget back, we could continue organising it under my leadership. So it was either I return – or there would be no Sziget.” “It caused me several sleepless nights, since in the meantime I had been working on completely different things,” Gerendai told Index. “But in the end, I felt that a festival that has become a cultural institution in Hungary and is also significant on the international scene simply cannot end abruptly. Besides, this is my child – I couldn’t abandon it.” Superstruct has come under huge pressure from activists and artists since its acquisition by KKR in June 2024. KKR has significant investments in Israeli companies, including some operating in the West Bank. In May 2025, a number of artists pulled out of the UK’s Field Day festival because of its Superstruct ownership. The transfer of the licence from Superstruct back to Gerendai almost didn’t happen. Budapest City Council initially blocked the transfer, with councillors from Fidesz and Péter Magyar’s opposition Tisza party abstaining from the vote. However, Hungary’s Index newspaper reports that Magyar, reacting to negative sentiment from potential voters over the news that Sziget might fold, quickly arranged a meeting with Gerendai. On 30 October, Magyar posted a picture of himself and Gerendai on Facebook, announcing that the pair would meet again at the 2026 festival after agreeing on two amendments to the proposals: first, that the costs of using the island would be paid back to the city by 2030 rather than 2035, and second, that all Hungarians under the age of 25 would get discounted tickets to the festival – a potential vote-winner among this demographic. Gerendai himself won’t be drawn on his politics. The 2026 Sziget festival is now set to go ahead from 11 to 15 August 2026, featuring Florence + The Machine, Lewis Capaldi, Sombr, Twenty One Pilots, Biffy Clyro and Underworld as well as hundreds of others including Hungarian rapper Sisi on the line-up. Gerendai said, “Many large music festivals operate primarily as business ventures focused on who is performing. In recent years, Sziget had also started to move in this direction, but I believe a festival should stand for more than that. Cultural diversity must be emphasised, as well as a commitment to core values. Reaffirming this ambition can be the key to long-term success – and this is what we aim for in the future.” The future for music festivals remains uncertain but, for now, the legendary island of freedom looks safe back in Gerendai’s hands. READ MORE

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