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Home»Cryptocurrency & Free Speech Finance»EdgeX Blames Outsider for EDGE Token Crash as ZachXBT Alleges Insider Manipulation
Cryptocurrency & Free Speech Finance

EdgeX Blames Outsider for EDGE Token Crash as ZachXBT Alleges Insider Manipulation

News RoomBy News Room3 months agoNo Comments3 Mins Read7 Views
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EdgeX Blames Outsider for EDGE Token Crash as ZachXBT Alleges Insider Manipulation
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Decentralized exchange edgeX has attributed a more than 40% collapse in its EDGE token to ‘deliberate’ market manipulation by an unnamed external party, a claim that onchain investigator ZachXBT has dismissed.

Data from CoinMarketCap shows edgeX (EDGE) plunged from roughly $1.20 to an intra-day low of $0.3663 on Tuesday, a drop of around 70%. The token is currently trading at $0.6474, down by around 45% over the past day.

In a post on X, the edgeX team acknowledged the sudden collapse in its native token, telling its community it had “observed a sudden and irregular price movement” and was actively investigating.

In response, ZachXBT claimed edgeX’s supply had been controlled by a small number of insiders operating with a low float, making the token inherently vulnerable to these types of events. He also demanded that the project publicly disclose the counterparties and market-maker agreements that contributed to the crash.

Only 350 million EDGE tokens are currently in circulation out of a maximum supply of 1 billion, meaning more than two-thirds of the total supply has yet to hit the market. A low circulating float can make a token more vulnerable to sharp price moves, especially if liquidity is concentrated or large holders sell into thin order books.

Related: Verus bridge exploiter returns $8.5M after bounty offer

EdgeX says project not hacked

In a follow-up statement, edgeX said the platform had not been compromised in any way. “What we have identified so far suggests deliberate attempts by certain external party to manipulate the market price of EDGE,” the project wrote, calling it a market integrity issue.

However, ZachXBT was unconvinced. “We investigated ourselves and did not find ourselves guilty even though we control nearly the entire supply,” he sarcastically wrote.

Source: CoinMarketCap

EdgeX is the 16th largest DEX in terms of trade volume over the past day, according to data from DefiLlama. The project has a total value locked (TVL) of $137 million.

Related: Recovery hopes fade as Kelp DAO hacker launders nearly all $220M in stolen funds

DEX trading volume declines

DEX trading volume across all chains has also pulled back sharply from its peak levels.

The broader pullback in DEX activity can make thinly traded tokens more vulnerable to sharp moves, though EDGE’s crash also involved project-specific questions over supply, market makers and insider control.

After hitting a spike close to $45 billion in early 2025, aggregate decentralized exchange volume has trended lower and largely stabilized in the $5 billion to $20 billion daily range through the first half of 2026, with a secondary peak around $30 billion in October 2025 before fading again, according to data from DefiLlama.

DEX trade volume. Source: DefiLlama

The cooling activity reflects a broader retreat in onchain trading appetite following the frenzy of early 2025, leaving DEX markets thinner and more vulnerable to outsized price impacts.

Magazine: The legal battle over who can claim DeFi’s stolen millions

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London’s Africa Centre faces closure Earlier this month, I was saddened to learn that The Africa Centre in London may once again be shutting its doors. It won’t be the first time the centre has had to close – but it may be the last time, although the chief executive is still hopeful he can raise the millions of pounds needed to save it. There’s no point dwelling on the reasons, speculative or factual, behind its current crisis. I did though, looking through a list of its recent events, feel a pang of guilt. I could have done more to support The Africa Centre – turning up, talking to people about it, taking cognisance of the real value it has added over the years to London’s political and social life. When the Africa Centre was founded in 1961, its primary objective was to “educate about, connect to and [advocate] for Africa and its diaspora through arts, innovation, culture, thought leadership and education”. In 1964 it found a home in London’s Covent Garden – the Catholic church purchased an old tomato warehouse on King Street and gifted it “to the people of Africa in perpetuity”. When my parents emigrated to the United Kingdom in the mid-1960s, The Africa Centre was one of the very few places where people like them could find space to negotiate the cultural and social differences between them and the unfamiliar wider world. This process of cultural pollination process worked both ways, mind. Intellectuals, activists and dissidents from across the continent spoke at King Street about the political challenges faced by post-colonial African countries, educating curious audiences who wanted to learn more about a part of the world that for many was at best a construct of the imagination, if even that. For two days last June, the London Archives presented to the public a cross-section of documents, photographs and ephemera from its Africa Centre Collection. The archives were a revealing and at times startling record of political and social openness and curiosity. On one table, a poster from 1968 announced a talk about The Future of the Portuguese Territories – long before Angola and Mozambique became proxy battlegrounds for the Cold War between the Soviets and the West. From 1970, an invitation to a talk by Mrs Lydia Osiyemi, “sociology student and mother”, about The African mother and child in Britain. Judging from the poster (left), I fancy that Mrs Osiyemi’s talk was proposing African solutions to a dilemma that remains very real today – to London’s new arrivals and veterans alike. And then, from the early 1990s, in the centre’s guest book (below right), a tribute from a vanguard of democracy. “I pay tribute to those who founded this institution, and those who run it,” the scrawly script read. “This is …  a major cultural shop-window for Africa of which every African should be proud.” The author: “M.K.O. Abiola of Africa.” The Nigeria I grew up in the 1980s and 1990s, after my parents moved back there for a while, was defined by the ever-present cloud of military dictatorship. I can say that now, in hindsight; it’s strange how one normalises the abnormal when we have nothing to compare it against. When Abiola, a business magnate and politician, ran for president in Nigeria in 1993 for a short while it seemed that the country would escape its history of ethnic strife. But then the military snatched victory from him and imprisoned him, extending their malign grip on the country for another half decade. The BAFTA-winning My Father’s Son is set against the backdrop of that very period. A generation before this, the Africa at the Pictures film festival curated by the centre had offered London similar context to political and social concerns across the continent. Abiola’s entry reminded me that it was in the London, on King Street, that I first began to think more clearly about the right to free expression and what happens when this is curtailed. When Chinua Achebe’s Anthills of the Savannah, an acerbic observation on life under military dictatorship in a fictional west African country, was shortlisted for the Booker in 1987 it couldn’t be bought in Nigeria. I got hold of my copy in London – in the Africa Centre’s cramped and musty bookshop, stuffed with books on and from the continent. It wasn’t all high-minded intellectualism on King Street. The Africa Centre was home to one of the few restaurants in London featuring cuisine from here and there across the continent – Mauritian lamb curry, Algerian couscous, fried plantain and boiled yam. Cost? Dishes were, according to a caption, “between 20p and £3”. Happy days. (An early menu is shown below left). In 2012, the Africa Centre left Covent Garden. Maintaining the Grade II-listed building proved too expensive, some said. Perhaps more to the point, it was no longer a good fit for the commercialised ambience that had sprung up around Covent Garden. The historic building on King Street was sold, and with the support of the Mayor of London and the Arts Council, the Centre relocated itself across the river in 2022, to new premises in Southwark. The last time I was there, in the summer of 2023, was to see a fascinating multi-floor exhibition about Nigeria’s Fuji music. Once again, I was surprised and delighted to learn in the Africa Centre something new about my childhood home, so very far away from it. London of the 1980s and 1990s was nothing like the crucible of cultures that it is today. While migrant communities were not quite silenced, they certainly did not have the right to a voice in the public sphere such as they do today. We complain, correctly, about febrile attempts to exclude inconvenient minority voices from the general discourse today. But we don’t, unfortunately, acknowledge enough the real contribution that physical community spaces, big and small, have made over the years to give London the cultural texture and viscera that makes the challenging and contradictory but still very charming city that it is. I’m going to miss the Africa Centre when it’s gone, and places like it, that helped shaped a city where the right to free expression is still, on the whole, seen to be a good thing. READ MORE

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