Gillo Pontecorvo’s film The Battle of Algiers was first screened at the Venice Film Festival on 31 August 1966. I saw it several months after it was released in North America in September 1967 while I was an undergraduate at York University in Toronto. The political and cultural turmoil of the late 1960s was in full swing, and the film made a deep impression on my friends and me. We immediately understood that this was a seminal piece of cinema—a compelling work of art about a compelling historical event—and it quickly became an iconic exploration of the revolutionary anticolonialism that…

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