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Home»News»Global Free Speech»Kosovo rapper and supporters threaten, attack journalist Burim Pacolli 
Global Free Speech

Kosovo rapper and supporters threaten, attack journalist Burim Pacolli 

News RoomBy News Room7 months agoNo Comments2 Mins Read5 Views
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Kosovo rapper and supporters threaten, attack journalist Burim Pacolli 
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Berlin, March 5, 2026—The Committee to Protect Journalists calls on Kosovo authorities to ensure that all perpetrators involved in the threats and the recent physical attack on Burim Pacolli, a journalist with the news site Nacionale, are brought to justice, and to take immediate measures to safeguard him and his family amid ongoing threats.

“The violent street ambush on journalist Burim Pacolli in retaliation for his music review sends a chilling message to cultural journalists in Kosovo,” said Attila Mong, CPJ’s Europe representative. “We welcome Kosovo authorities’ prompt arrests and the opening of an investigation. They must now ensure full accountability for everyone involved. They should now make clear that such violence is not tolerated, and guarantee Pacolli and his family’s protection so he can continue his work without fear.”

On March 2, an individual identified in local press as Kosovo rap singer Gramos Krasniqi, known by the stage name “Mossi,” approached Pacolli on the street as he was leaving an ATM in Pristina, the capital. Krasniqi confronted him over what he claimed was Pacolli’s negative video review of his music. Pacolli told CPJ that after verbal insults, Krasniqi punched him in the face and, when he attempted to flee, the rapper and three or four other individuals chased him, cornered him, dragged him to the ground, and repeatedly kicked him before leaving the scene as bystanders alerted the police.

After the attack, on March 4, Krasniqi further threatened the journalist on social media, saying he wants “flesh and blood.” Pacolli told CPJ that he keeps receiving online threats and he fears for his and his family’s safety.

In an email statement to CPJ, the Pristina prosecutor’s office said it had launched an investigation, detained three individuals in connection with the attack, and requested that a court impose pre-trial detention on them. Local media reported that Krasniqi is among the detainees.

Attempts to reach Krasniqi for comment through social media were unsuccessful.

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The BBC clearly sees the value of television series That Mitchell and Webb Look. Marking the 20th anniversary of its original screening, the Beeb has re-released the series on iPlayer. But – and there is very often a “but” with these things – they’ve removed around 11 sketches from the BAFTA award-winning show. The official word is that these sketches don’t “work today”, which is polite speak for “they may cause offence”. The episodes singled out include scenes featuring a battle reenactment with characters in blackface, a contestant on a show wearing a burka and a lost tribe” in a garden centre. These sketches set out to challenge stereotypes, not to reinforce them; but 20 years on, this distinction seems to have been lost along the way. I’m a bit uncomfortable about this. I find it infantilising, to say the least. Can’t we trust audiences to make up their own minds, to switch off if they find the sketches in question unpalatable? Does the BBC think that we are just passive consumers, unable to disaggregate the mocking of racism from racism itself? These sketches set out to challenge stereotypes, not to reinforce them This act of censorship is distorting – of the shows, whose narratives and rhythms were built to include these sketches, and more broadly too. Conversations we were having 20 years ago have been erased, as if to suggest that they never happened. But they did! And with this erasure, the opportunity for thoughtful engagement and learning from our past is gone. “Let’s just pretend we were all lovely 20 years ago. It’s better that way” seems to be the message. Speaking as a minority myself, I find that knowing the nasty stuff that people said before – and indeed, still say today – is much more useful than pretending it never happened. This approach, I think, is also inconsistent. What it reveals is a cherry-picking (intended or not) of the groups that we can mock, and those that we can’t. Let’s face it, gender stereotypes are rarely deemed to have aged beyond the pale – if that were the case, we would have to wave goodbye to half the television made before the mid-2010s. Suppression like this sends a bad message to artists, namely that what they’re creating today may hold less value tomorrow. Or, even worse, that future audiences may deem them bigots – that Sword of Damocles hovering over the heads of any creative paying attention to the discourse of the moment. Suppression like this sends a bad message to artists The BBC’s decision reaffirms a broader trend. In 2020, Little Britain was removed from the iPlayer platform for similar reasons. It has since been reinstated – minus some sketches. Meanwhile, the UK’s arts space more broadly is seeing a retreat to the land of “safe”, as Index recently revealed in a year-long investigation into self-censorship in UK theatre. The BBC, it must be said, does remarkable stuff. The ongoing podcast investigation into the disappearance of US journalist Austin Tice is just one example. But this does not mean, however, that they don’t sometimes get it wrong. Chopping at That Mitchell and Webb Look is one example. Sure, the removal of the material isn’t the life-or-death story that Index often works on. Sure, Mitchell and Webb aren’t the faces of persecuted artists – they have huge platforms and agreed to the changes themselves. Still, one can’t help but think that the decision came from a place of conservatism, perhaps even fear. This is weak and dispiriting, indeed the very opposite of what enables creativity in the arts. We shouldn’t be encouraging this cultural timidity. Rather, we should harness culture and creativity as the starting points of a conversation about our here and now. That’s what the arts are for, after all. READ MORE

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