Close Menu
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
  • Home
  • News
    • Politics
    • Legal & Courts
    • Tech & Big Tech
    • Campus & Education
    • Media & Culture
    • Global Free Speech
  • Opinions
    • Debates
  • Video/Live
  • Community
  • Freedom Index
  • About
    • Mission
    • Contact
    • Support
Trending

Challengers Approach: Third Party App Stores Arrive to Google Play

15 minutes ago

Mamdani’s Plan To Fight Antisemitism Will Fuel the NYC Nonprofit Complex 

21 minutes ago

SEC maps out crypto custody in new proposal that furthers its digital assets agenda

38 minutes ago
Facebook X (Twitter) Instagram
Facebook X (Twitter) Discord Telegram
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
Market Data Newsletter
Thursday, October 1
  • Home
  • News
    • Politics
    • Legal & Courts
    • Tech & Big Tech
    • Campus & Education
    • Media & Culture
    • Global Free Speech
  • Opinions
    • Debates
  • Video/Live
  • Community
  • Freedom Index
  • About
    • Mission
    • Contact
    • Support
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
Home»News»Global Free Speech»Two journalists, two attacks, a fight for justice as Bolivia enters new era
Global Free Speech

Two journalists, two attacks, a fight for justice as Bolivia enters new era

News RoomBy News Room11 months agoNo Comments7 Mins Read2 Views
Share Facebook Twitter Pinterest Copy Link LinkedIn Tumblr Email VKontakte Telegram
Two journalists, two attacks, a fight for justice as Bolivia enters new era
Share
Facebook Twitter Pinterest Email Copy Link

Listen to the article

0:00
0:00

Key Takeaways

Playback Speed

Select a Voice

A barrage of bullets was waiting for ATB cameraman Percy Suárez and six other journalists when they arrived at the Las Londras ranch in Bolivia’s Guarayos province October 28, 2021, around 852 kilometers outside of the capital, La Paz. The journalists, flown in by a local farmer association, came to cover a land dispute at the center of a violent confrontation between landowners and rural movements when armed men ambushed their motorcade and took them hostage.

“Anyone who moved was kicked, beaten with rifle butts or threatened with being set on fire,” Suarez recounted of the incident to CPJ.

The men — identified as leaders of a pro-government rural movement known as the “interculturals” — smashed their phones, seized equipment, and directed the journalists to lie face down on a gravel road scorched by the sun. But Suárez — clinging to his camera, dented and pierced by a bullet — didn’t stop filming. Nearly four years later, the viral footage is the only evidence Suárez has in his hope to bring his attackers to justice in a long-stalled case.

Men identified as leaders of a pro-government rural movement known as the “interculturals” ambushed ATB cameraman Percy Suárez along with six other journalists as they arrived to Las Londras ranch in Bolivia’s Guarayos province. (Screenshot: Página Siete/ YouTube)

After two decades of Movimiento al Socialismo (MAS) governments marked by smear campaigns and public attacks against the press under former President Evo Morales and successor Luis Arce, Bolivia’s political landscape has entered a new chapter with Christian Democratic Party leader Rodrigo Paz clinching victory in the country’s October 19 runoff election, becoming the first leader outside MAS in 20 years.

As Paz inherits a country where impunity for attacks against journalists remains widespread — including his vice president’s attacks on the media — the incoming president’s has an opportunity to shift institutional reform and renew respect for democratic values. Yet during a June 2025 research mission to Bolivia, press advocates told CPJ there is cautious optimism and growing skepticism about whether Paz’s administration will truly change how power treats the press when it takes office November 8.

Newly elected Bolivian President Rodrigo Paz of the Christian Democratic Party (PDC) attends a press conference on October 20 following his victory in the country’s presidential runoff. (Photo: Reuters/Claudia Morales)

Caught in the crossfire

Journalist Percy Suárez’s attack was not an isolated incident. Land conflicts in eastern Bolivia have simmered for decades, fueled by agribusiness and shifting political alliances, with journalists often caught in the crossfire.

On May 3, 2025, Ángela Ninoska Mamani of Canal 35 Televisión Tunari was attacked while reporting outside the Cotapachi military barracks in Quillacollo, near Cochabamba, where residents had blocked a road to oppose plans to dump the city’s garbage on a land plot in their town.

By midday, a group of around 30 masked counter-protesters arrived and launched a violent attack against the protestors. They then went after the press.

Canal 35 Televisión Tunari’s Ángela Ninoska Mamani and her son, cameraman Dahan Joaquín Vedia, were attacked May 3, 2025 while reporting outside the Cotapachi military barracks in Quillacollo, near Cochabamba. (Photo: Dánae Vílchez)
Canal 35 Televisión Tunari’s Ángela Ninoska Mamani and her son, cameraman Dahan Joaquín Vedia, were attacked May 3, 2025 while reporting outside the Cotapachi military barracks in Quillacollo, near Cochabamba. (Photo: Dánae Vílchez)

“One man kicked me, another cut my leg with something sharp,” Mamani told CPJ. Her son and cameraman,Dahan Joaquín Vedia, was thrown to the ground and kicked repeatedly. “They kept shouting that we were liars, that we were against them,” Vedia added.

As her attackers closed in, Mamani recognized the group’s leader as district official Lucio Padilla and pleaded for him to help her as a journalist. Instead, Mamani said that Padilla ordered the attackers to strike harder. Neighbors who attempted to help her were beaten.

On May 4, 2025, Mamani filed a complaint against Padilla and reported that her attackers stole cameras, microphones, her wallet, and Vedia’s phone. Police then required her to attend a mediation session with Padilla in which he denied everything and later threatened to rape her if she did not drop the case, the journalist told CPJ.

“They wanted us to stop showing what was happening,” Mamani said, “but I cannot stay silent. If they silence us, they silence the community.”

Impunity as a rule

Although Suárez and Mamani’s attacks happened in different contexts, both reflect what journalist advocates say is an alarming pattern where violence against journalists goes unchecked and legal cases seeking justice stall until they are forgotten.

Suárez had video evidence and multiple testimonies; Mamani had multiple eyewitnesses. Still, justice has proven elusive for them both. Hearings were delayed, charges reduced, and Bolivian authorities often downplayed the incidents as isolated disputes — journalists, lawyers and press freedom groups told CPJ.

“We journalists do not want privileges. We demand that the law be enforced,” said Jorge Medina Monasterio, president of the Association of Journalists of Cochabamba. “If it were enforced, we could function as a minimally mature society.”

For journalists hoping the protection of the law would allow them to do their jobs, the pain is compounded by the silence that follows such attacks. 

“What hurts most is not the blows we received, but the abandonment afterward. Only some organizations still support us,” Suárez told CPJ.

Still fighting for justice

The prosecutor’s office has not set a date for Mamani’s trial after she rejected mediation and opted to move forward with the case. Although she believes the process may face delays, she remains determined to pursue justice.

“I was beaten, humiliated, and robbed, but I’m still standing,” she told CPJ.

Suárez and his colleagues were released after nearly seven hours at the ranch after a camera operator with another outlet escaped and gave news of the situation to local media. Bruised and shaken, Suárez was met by his wife, his son, and a colleague when he arrived back home in Santa Cruz, but no one from ATB.

“I felt abandoned by the station,” he said.

When Suárez’s footage was made public in a news report, it contradicted another report shared by pro-government news outlets in which the settlers were seen welcoming then-regional director of National Agrarian Reform Institute, Adalberto Rojas, and praising the government’s agrarian reform process.

Suárez’s footage contradicted a report shared by pro-government news outlets in which the settlers were seen welcoming then-regional director of National Agrarian Reform Institute, Adalberto Rojas. (Screenshot: Tele Pais Meridiano/YouTube)
Suárez’s footage contradicted a report shared by pro-government news outlets in which the settlers were seen welcoming then-regional director of National Agrarian Reform Institute, Adalberto Rojas. (Screenshot: Tele Pais Meridiano/YouTube)

Rojas denied any connections to the settlers and told media that they had no knowledge of violence at the ranch.

Suárez’s assault case has stalled after two suspects in his attack asked for the case to be managed in the Indigenous jurisdiction and were released under precautionary measures, according to a review of the judicial file made by CPJ. Three of Suárez’s attackers — Nicolás Ramírez Taboada, Martín Tejerina Villalobos, and Heber Sixto Canaza Sacaca — were declared fugitives.

Suárez’s lawyer, Raquel Guerrero, told CPJ that his case has repeatedly changed since it was filed in 2022, and at least two prosecutors and one investigator were reassigned.

“The goal is that there be a ruling, favorable or not, so that this case is not forgotten,” Suárez said, but authorities have blocked the process many times, according to Guerrero. After a July 9 hearing, she said now they are waiting for the Constitutional Court to decide whether Suárez’s two attackers will be tried in the main court or under Indigenous justice.

Journalist Percy Suárez’s assault case has stalled after two suspects in his attack asked for the case to be managed in the Indigenous jurisdiction and were released under precautionary measures. (Photo: Dánae Vílchez)
Journalist Percy Suárez’s assault case has stalled after two suspects in his attack asked for the case to be managed in the Indigenous jurisdiction and were released under precautionary measures. (Photo: Dánae Vílchez)

After the pause was announced, Suárez condemned the move in a July interview with the independent TV station RTP. 

 “I will not give up. I will keep pushing forward,” Suárez told CPJ. “The video that I have, the images give me the strength to continue, and I will stay firm in this fight.”

CPJ sent messages to the Intercultural Movement, the Ministry of Justice and Transparency, and the Supreme Court of Justice of Bolivia, but did not receive any response.

Read the full article here

Fact Checker

Verify the accuracy of this article using AI-powered analysis and real-time sources.

Get Your Fact Check Report

Enter your email to receive detailed fact-checking analysis

5 free reports remaining

Continue with Full Access

You've used your 5 free reports. Sign up for unlimited access!

Already have an account? Sign in here

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email Telegram Copy Link
News Room
  • Website
  • Facebook
  • X (Twitter)
  • Instagram
  • LinkedIn

The FSNN News Room is the voice of our in-house journalists, editors, and researchers. We deliver timely, unbiased reporting at the crossroads of finance, cryptocurrency, and global politics, providing clear, fact-driven analysis free from agendas.

Related Articles

Global Free Speech

Cuban journalist forced to flee island to Brazil following threats by state agents

3 hours ago
Global Free Speech

CPJ urges Morocco to end press surveillance following Amnesty report 

7 hours ago
Global Free Speech

          As news broke that 84,270 people, including more than 32,000 children, had been affected by Nepal’s catastrophic floods, one visual offered something the world desperately needed in the moment: hope. The video shows a little girl, buried under thick mud, being is rescued by Nepal’s emergency teams. Instinctively, the viewer roots for her as rescuers carry her to safety, wrapping her shivering body in a red shawl. But the most moving moment of the video comes towards the end. The girl is sitting motionless in a relief camp, an officer feeding her warm soup. As the camera lingers on her face, a faint smile almost begins to show. It is the kind of image that can offer the viewer respite from the horrors of a humanitarian crisis. The video rapidly spread rapidly across all social media platforms, with commentators calling it a miracle. Of sorts. In fact, it was an AI miracle. Agence France-Presse (AFP) Fact Check’s investigation led them to an India-based creator, who admitted creating the video with the help of AI-generative tools. His justification was disarmingly straightforward: emotionally engaging visuals perform well online. This was just one of the many digitally-manufactured “miracles” put into social media heavy rotation during the floods. Another clip, showing a bridge collapsing into floodwaters swallowing vehicles and human lives, seemed to have been lifted straight out of a Roland Emmerich disaster film. The video racked up more than 2 million views on X before it was debunked as AI-generated by Factly. What made this social media post stand out for me was the identity of one of the people sharing it – an experienced news editor. The post, still pinned on his X profile and with more than 2 million views, suggests that even experienced newsroom decision-makers could be fooled by synthetic disaster footage – or, worse still, be untroubled about the veracity of such videos. Both videos incorporate the visual language of short films, but were not released in cinemas or on Netflix. They surfaced on Facebook, X and Instagram, even as emergency teams continued to search for the thousands of people that went missing after a glacial collapse triggered devastating floods in Nepal and Tibet on August 26. Even as survivors photographed authentic eyewitness footage, synthetic visuals emerged alongside them. The floods became one of the first major climate disasters in South Asia where documentation and fabrication coexisted in the same visual ecosystem.     Screenshot of debunked Nepal floods footage “During earlier disasters, our primary challenge was identifying old footage, establishing where a video was recorded and determining whether it was being presented in the correct context,” Saurabh Shukla told Index. Shukla is founder and editor-in-chief of NewsMobile, an India-based independent media organisation that debunks AI-related deepfakes and focuses on verified information. “The biggest difference today is the sheer speed at which fabricated and misleading visuals entered the information ecosystem,” Shukla said. “With generative AI, we now have an additional challenge – determining whether the event depicted in a video ever happened in the first place.” This has fed into a media environment where unverified visuals are disseminated faster than the verified facts reported by journalists. “Speed without verification can amplify confusion, while verification without timely reporting can leave an information vacuum,” Shukla said. “The challenge for newsrooms is to strike the right balance between being fast and being accurate.” The first images of rescue missions in secluded mountainous regions almost always come from locals, and thus forming the spine of disaster reporting. These inevitably blurry and shaky recordings do not have the polished quality of professional news reporting, but do carry something far more consequential: the credibility that comes with eyewitness documentation. These images often shape the core of the collective memory of a tragedy. But in an age of visual manipulation and trickery, that presumption of authenticity no longer holds. Factly conducted 30 fact-checks into coverage of the Nepal floods; fully one-third involved AI-generated visuals. “Beyond checking the location, source, and context of a visual, we also had to establish whether the visual itself was authentic,” Akshay Kumar Appani, lead fact checker and researcher at Factly, told Index. “During breaking disasters, old AI-generated visuals can spread rapidly while being presented as current footage. This makes it harder for journalists to establish the truth. The visual of the miracle child perfectly captured this dilemma. It was designed to evoke an emotional reaction; but it also looked like the kind of footage that journalists hope to find during crisis reporting. The video was vertically filmed. The camera movement was wobbly. The lighting was grainy. The muffled background sound felt believable. The video presented none of the glaring distortions that once made AI interventions easy to spot. Fabricated videos, today, can be produced to mimic the aesthetics of authentic citizen journalism. It was for this precise reason that the floods presented journalists with a crisis that went beyond recognising AI-generated images: they were increasingly obliged to verify whether the footage reaching them was genuine in the first place. Screenshot of video debunked by Factly Newsmobile’s verification process increasingly involves examining individual frames, conducting reverse-image searches, analysing visual inconsistencies and using AI-detection tools where appropriate. “However, detection tools are only one part of the process. We still need corroboration,” Shukla said. “We cannot rely solely on automated detection tools,” Sumit Dubey, South Asia digital verification editor for AFP’s Fact Check vertical, told Index. Fact-checking, he explained, requires going beyond automated outputs: tracing the original source, examining context, verifying metadata, looking for corroborating evidence and, where possible, speaking to relevant sources. “Automated tools are useful indicators, but fact-checking cannot be outsourced to a button,” Dubey said. The proliferation of synthetic media output in the wake of natural disasters is not new. It’s the sophistication of the output that has changed. For years, much of the public conversation around AI manipulation centred on faces: celebrity deepfakes, altered political speeches and fabricated portraits. The Nepal floods flipped that narrative. Almost every fabricated clip featured rivers, glaciers, collapsing hillsides, dams, flooded valleys or stranded animals. “AI-generated environmental content poses a different problem: [the] tells are failures of physics rather than anatomy,” Mahsa Alimardani told Index. Alimardani is associate director for technology threats and opportunities at Witness, a global organisation helping people use video and technology to protect and defend human rights This explains why the Nepal videos were so plausible. The miracle girl video wasn’t believable just because of her facial expressions. It was convincing because the sludge moved convincingly, because the choreography resembled actual emergency rescues, because the emotional tonality seemed genuine. “Most post-hoc detection tools were designed for content featuring physical characteristics, and they currently struggle significantly with environmental and disaster content,” Bruna Martins dos Santos – policy and advocacy manager, Witness Technology Threats and Opportunities – told Index. “Journalists might also struggle because many tools have limited capabilities to identify synthetic content generated elsewhere,” she said. Another emerging trend is the increasingly complicated role of Big Tech itself in detecting and labelling fake generative-AI content. Some of the clearest AI verdicts came from detection tools built by the very same companies whose models created the same fakes. Three weeks after the US state of California and the EU mandated the requirement for greater transparency with respect to AI-generated content, Witness and Indicator tested thirteen major AI providers. They found that seven had no public detector at all. “The capability to identify synthetic content partly existed. The governance around it did not,” Alimardani said. When both authentic and synthetic content circulate in disaster situations, the biggest challenge that journalists face is that of establishing truth amidst widespread public uncertainty and doubt. According to Martins dos Santos, “Journalists and local fact-checkers can face immense time pressure, often wasting scarce resources re-detecting the same recycled disaster footage across multiple platforms and languages.” The greatest danger emerging from Nepal may not be that people believed the fake videos. It may be that they have begun to doubt the real ones. Shukla’s concern is that people may stop trusting visual evidence altogether. “Imagine a situation where genuine footage of a disaster emerges, but people dismiss it as AI-generated. Facts become secondary to perception.” Within days of the floods, even authentic CCTV footage from the Gyirong border was being perceived as AI-generated, prompting fact-checkers to establish that the scenes it depicted were real. This exposed a troubling issue: even authentic visuals can no longer be taken at face value. Martins dos Santos told Index that the phenomenon has a name: “Liar’s dividend”, whereby the mere existence of convincing synthetic content allows bad actors to dismiss genuine, damaging evidence as fake simply by claiming it was AI-generated. This means that genuine footage is no longer accorded credibility immediately; it may first be perceived with suspicion. “This means a video may look completely authentic and still be fabricated. Conversely, genuine footage can contain compression artefacts that make it appear suspicious,” Shukla warned. Appani, for his part, noted that synthetic media doesn’t merely affect verification in real time. It also reshapes collective memory. “Widely circulated synthetic or recycled footage may eventually be remembered as genuine imagery from the disaster. Generative-AI could therefore affect not only how disasters are verified in real-time, but also how they are documented and remembered in the future.”The Nepal floods left destruction in its wake, and also a warning for journalists covering climatic disaster. The defining challenge of disaster reporting is no longer capturing the first image, but establishing which image the world can trust. In Shukla’s words: “For fact-checkers, the challenge is not just determining whether a video is real. It is establishing whether it actually belongs to the event it claims to depict.” READ MORE

8 hours ago
Global Free Speech

CPJ, partners call on Malta to ensure broad consultation on draft media reform bill 

10 hours ago
Global Free Speech

Hong Kong journalist Tang Ho-wing arrested in latest sedition case

1 day ago
Global Free Speech

Taliban shut down 3rd Shiite-centered media outlet in 4 months in Afghanistan

1 day ago
Add A Comment

Comments are closed.

Editors Picks

Mamdani’s Plan To Fight Antisemitism Will Fuel the NYC Nonprofit Complex 

21 minutes ago

SEC maps out crypto custody in new proposal that furthers its digital assets agenda

38 minutes ago

Donald Trump to Appear at DC Golf Club for 3rd Memecoin Holder Event

39 minutes ago

SEC Proposes Rules to Clear Up How Advisers and Funds Can Hold Crypto

40 minutes ago
Latest Posts

Court Agrees with EFF: Utah’s VPN Law Demands a Technical Impossibility

1 hour ago

Second Federal Court Rules Against Trump’s $100,000 H-1B Visa Fee

1 hour ago

Illinois Agrees to Delay 0.2% Crypto Tax After Industry Lawsuit

2 hours ago

Subscribe to News

Get the latest news and updates directly to your inbox.

At FSNN – Free Speech News Network, we deliver unfiltered reporting and in-depth analysis on the stories that matter most. From breaking headlines to global perspectives, our mission is to keep you informed, empowered, and connected.

FSNN.net is owned and operated by GlobalBoost Media
, an independent media organization dedicated to advancing transparency, free expression, and factual journalism across the digital landscape.

Facebook X (Twitter) Discord Telegram
Latest News

Challengers Approach: Third Party App Stores Arrive to Google Play

15 minutes ago

Mamdani’s Plan To Fight Antisemitism Will Fuel the NYC Nonprofit Complex 

21 minutes ago

SEC maps out crypto custody in new proposal that furthers its digital assets agenda

38 minutes ago

Subscribe to Updates

Get the latest news and updates directly to your inbox.

© 2026 GlobalBoost Media. All Rights Reserved.
  • Privacy Policy
  • Terms of Service
  • Our Authors
  • Contact

Type above and press Enter to search. Press Esc to cancel.

🍪

Cookies

We and our selected partners wish to use cookies to collect information about you for functional purposes and statistical marketing. You may not give us your consent for certain purposes by selecting an option and you can withdraw your consent at any time via the cookie icon.

Cookie Preferences

Manage Cookies

Cookies are small text that can be used by websites to make the user experience more efficient. The law states that we may store cookies on your device if they are strictly necessary for the operation of this site. For all other types of cookies, we need your permission. This site uses various types of cookies. Some cookies are placed by third party services that appear on our pages.

Your permission applies to the following domains:

  • https://fsnn.net
Necessary
Necessary cookies help make a website usable by enabling basic functions like page navigation and access to secure areas of the website. The website cannot function properly without these cookies.
Statistic
Statistic cookies help website owners to understand how visitors interact with websites by collecting and reporting information anonymously.
Preferences
Preference cookies enable a website to remember information that changes the way the website behaves or looks, like your preferred language or the region that you are in.
Marketing
Marketing cookies are used to track visitors across websites. The intention is to display ads that are relevant and engaging for the individual user and thereby more valuable for publishers and third party advertisers.