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Home»Cryptocurrency & Free Speech Finance»OSL Strengthens Asia’s Digital Asset Ecosystem with Listing of State-Supervised Gold-Backed Stablecoin USDKG
Cryptocurrency & Free Speech Finance

OSL Strengthens Asia’s Digital Asset Ecosystem with Listing of State-Supervised Gold-Backed Stablecoin USDKG

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OSL Strengthens Asia’s Digital Asset Ecosystem with Listing of State-Supervised Gold-Backed Stablecoin USDKG
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HONG KONG, May 21 — OSL Group (863.HK) (OSL), a global stablecoin payment and trading platform, today announced that its Hong Kong-licensed digital asset exchange OSL HK has officially listed USDKG, the gold-backed stablecoin issued by the Kyrgyz Republic. The listing marks a significant step in bringing a state-supervised, asset-backed digital currency to one of the world’s most established licensed virtual asset markets.

Pegged 1:1 to the U.S. Dollar and fully backed by physical gold reserves, USDKG is now accessible to professional investors through OSL’s institutional-grade infrastructure. The initial trading pair USDKG/USDT is now available to professional investors across OSL HK’s over-the-counter (OTC) platform.

The listing of USDKG aligns with OSL’s commitment to contribute to the development of a secure and compliant digital asset ecosystem in Asia and beyond. It also expands USDKG’s reach into new markets through a regulated platform aligned with institutional standards, supporting its use in cross-border settlement and broader financial applications.

Jason Liu, Global Exchange COO of OSL, said:

“OSL is dedicated to providing investors with access to regulated, innovative assets. The listing of USDKG not only enriches OSL’s product offerings for the market, but also strengthens its compliant stablecoin ecosystem, as the introduction of a state-backed, compliant digital asset further underscores OSL’s credibility and leadership within the industry.”

Biibolot Mamytov, CEO of Gold Dollar (USDKG), said:

“This listing represents an important milestone for USDKG as we enter one of the most established and highly regulated digital asset markets globally. Hong Kong is widely regarded as the gold standard for digital asset regulation, and working with OSL reflects our focus on transparency, gold-backed reserves, and institutional-grade infrastructure.”

About USDKG

USDKG is issued by OJSC Virtual Asset Issuer, a state-owned entity under Kyrgyzstan’s Ministry of Finance, with an initial issuance of $50 million backed by physical gold reserves audited by Kreston Global. The stablecoin is deployed on Ethereum and TRON, with smart contract audits conducted by ConsenSys Diligence.

The token is already accessible through decentralized exchanges, including Curve and Uniswap, and supported by major wallets such as Ledger Live, MetaMask, Trust Wallet, and TronLink. The stablecoin is fully compliant with FATF KYC/AML standards and is designed to facilitate financial inclusion and efficient cross-border value transfer.

With this listing, Kyrgyzstan continues to position itself as a regional first-mover in regulated, asset-backed digital currencies, bridging traditional finance and blockchain infrastructure while maintaining full sovereign oversight and public accountability.

Website: https://www.usdkg.com/

Media Contact

William Campbell, 

Advisory Lead

Email: business@usdkg.com

About OSL Group

OSL Group (HKEX: 863) is a global stablecoin payment and trading platform that strives to provide compliant and efficient digital financial infrastructure services globally, empowering enterprises, financial institutions and individuals to seamlessly exchange, pay, trade, and settle between fiat and digital currencies. Grounded in the core values of Open, Secure, and Licensed, it is committed to building a more efficient ecosystem that connects global markets and enables instant, seamless and compliant value movement worldwide. For media inquiries, please contact: media@osl.com.

Disclaimer

This article is for informational purposes only and does not constitute, and shall not be construed as, an offer, solicitation, invitation, recommendation, or inducement to buy, sell, subscribe for, or otherwise deal in any digital assets, securities, or financial products. It does not constitute financial, investment, legal, tax, accounting, or other professional advice and should not be relied upon as such. The views, statements, and information contained herein do not necessarily reflect the official positions or commitments of OSL Group or any of its affiliates. Any descriptions of products, services, promotions, or programmes are for general reference only. Participation in any products, services, or promotions mentioned is subject to applicable terms, conditions, and regulatory requirements. This article may contain forward-looking statements or indicative information. Actual outcomes may differ materially, and OSL Group assumes no obligation to update such information.

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Today in Supreme Court History: May 21, 2007

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Kurt Vonnegut and his daughter Nanette in 1997. Photo: Family handout This article first appeared in the Spring 2026 issue of Index on Censorship, The monster unleashed: How Hungary’s illliberal vision is seducing the Western world published on 2 April 2026. “My mother warned me early on that my father was going to get in trouble for writing dirty books.” Nanette Vonnegut, youngest daughter of the late American novelist Kurt Vonnegut, remembers these words vividly. Even though she was around eight years old at the time, she recognised the real fear in her mother’s voice. At the time, she didn’t quite know what to do with the warning. But through a serendipitous encounter, she now has a much better idea. When she was invited, along with her brother, to represent the Vonnegut Estate at a meeting about book censorship hosted by publisher Penguin Random House, she had what she describes as a conversion experience. Now, she is taking on the State of Utah alongside other plaintiffs, in a case defending the freedom to read, filed by the American Civil Liberties Union (ACLU) of Utah Foundation. “I was blown away by the urgency,” she told Index, recalling the passion and bravery of the librarians and lawyers who spoke at the meeting. Each person took their turn to make a speech, “like one sermon after another”. Vonnegut spoke about her own childhood memories, when she was afraid of what might happen to her father. One speaker in particular, she remembered, described how book bans in the USA are not about words or even sex, but about ideas. “Not until now, did I ever feel afraid for what’s going on. These books in Utah are being thrown away. They’re just pulled off the shelves,” Vonnegut said. But this, she added, has always been a lurking threat. No sex please, we’re prudish At the meeting, she discovered that in Utah, any mention of sex in a book was sufficient reason for it to be pulled from any school library in the state. Kurt Vonnegut’s Slaughterhouse-Five, an anti-war novel first published in 1969, remains hugely controversial; it has already been banned in two school districts in Utah, labelled as pornographic. If the book is successfully challenged in a third district, the ban automatically becomes state-wide, as has already happened with 28 other books. Nanette Vonnegut can’t recall the book being particularly pornographic in nature. Interviewed on National Public Radio, Terry Hutchinson, a former member of a Utah schoolboard, said: “I am not a big Kurt Vonnegut fan. Not really because of subject matter, but because of style.” He believed that Slaughterhouse-Five should be removed from school libraries. For him, the book crossed the line when a character gets an erection. When Vonnegut and her attorney Tom Ford were invited to discuss the lawsuit on WHMP Radio, Ford explained that Utah’s book removal law, HB29 (passed in 2022 and amended in 2024), prohibits public school libraries from carrying any book that contains a description of a sex act. In Vonnegut v. Utah, the plaintiffs will argue that sections of HB29 are overbroad and in violation of First Amendment rights. “It prohibits a remarkably sweeping range of literature from every school library in the state,” Ford told the radio station. Appropriate age categories are irrelevant where this law is concerned – all sex is bad sex. The law itself, Ford said, springs from the false narrative created by conservative lawmakers in Utah that the state’s school libraries were full of pornographic books. In fact, Ford continued, the real targets of this censorship were ideas, messages and lived experiences. The earliest memory Vonnegut has of her father being a target of literary censorship is not one of quiet removal from a library shelf, but rather something more dramatic. In 1973, a school in Drake, North Dakota threw copies of Slaughterhouse-Five into its furnace. The books were burnt on the orders of the local school board, which had deemed the novel “profane”. Ironically, Vonnegut’s novel was inspired by his experiences as a prisoner of war in Germany during the Second World War. Before the war the Nazis had organised public burnings of books that they deemed “un-German”. Kurt Vonnegut wrote a letter to the school in response. “You can feel his rage and his hurt,” his daughter told Index, recalling the letter. Putting the Vonnegut name to good use Now, she said, she can’t believe that book banning is back in the USA, and “worse than ever”. She fears for the teenagers who don’t have access to the right resources and how much trouble it’s going to leave them in. For the first time, she feels she can really put her Vonnegut name to good use. Nanette Vonnegut grew up in a creative household, with her mother guarding the door to protect her father’s writing space. “You were scared of that door, because you knew that he was he was trying to write.” He worked hard, she remembered, all the time, and there was a sense that it was serious work. She described to Index how her father would come out from his writing for a snack (usually pumpernickel loaded with butter). The kitchen would be full of the kids and their friends, but he’d barely register them. Often, he would be muttering to himself; sometimes, he’d stop and talk to his youngest daughter, verbally working through an idea. Once, on his way back to his study, he paused and said to her: “You know, the unstructured life is not worth living.” Kurt rarely left the house. His wife, Jane Marie Cox, maintained the family’s social front by doing all the expected things like going to cocktail parties and playing tennis. She was his biggest supporter. Cox was passionate about reading too, and the Vonnegut house was always full of books. At the end of each day, the couple would discuss Vonnegut’s day of writing. “She was like his editor,” Nanette said, describing how when it came to stories, “she was the midwife.” A Vonnegut family trip Niagara Falls circa 1964. Photo: Family handout Memories of Slaughterhouse-Five Her father, she explained, was always writing to tell the truth. Slaughterhouse-Five was a particular challenge, because he struggled to get the information he needed about the fire-bombing of Dresden, which he had experienced. When he did finally finish the book, he left the galleys out for the children to read. When it was published, he became an overnight sensation. It was a writer’s house, and as the children got older, it became a party house too. According to Nanette Vonnegut, “It was a very heady, exciting time.” Her parents often had other creatives over at the Vonnegut home. Once, it was actor and director Peter Fonda, to talk about film rights for Vonnegut’s book Cat’s Cradle. Jack Kerouac, author of On The Road, visited before he was famous. After having a little too much to drink, his bad language ramped up. Nanette and a friend, aged around nine, were told to leave the room and go upstairs. “But we did not go upstairs,” she recalled. “We stayed behind the door. It was sort of thrilling and exciting. He was like a wild man, and he seemed to be a lot of fun. We didn’t want to miss any of it.” Growing up in this household, she internalised a strong faith in the creative process. She has inherited this “creative groove” as an artist. Take, for example, the day she snapped, for no particular reason, a photo of the Senate floor being shown on a television screen. A few days later, on 6 January 2021, came the US Capitol riot. Following her creativity, Vonnegut created a huge six-foot painting (opposite) from the photograph. Although mostly found in her art studio, Vonnegut feels a strong sense of the power of words, and is a writer too. “Words are the most sacred things that we have, and that’s something I grew up with,” she told Index. And above all, evident in her fight against Utah, she has always taken for granted the belief that there are no “dirty words”. READ MORE

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