Close Menu
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
  • Home
  • News
    • Politics
    • Legal & Courts
    • Tech & Big Tech
    • Campus & Education
    • Media & Culture
    • Global Free Speech
  • Opinions
    • Debates
  • Video/Live
  • Community
  • Freedom Index
  • About
    • Mission
    • Contact
    • Support
Trending

Google Isn’t a Common Carrier, Ohio Court of Appeals Rules

13 minutes ago

Kalshi now requires users to reveal employers as it fights insider trading and market manipulation

34 minutes ago

CFTC Proposes Prediction Market Rules Favoring Sports Contracts

38 minutes ago
Facebook X (Twitter) Instagram
Facebook X (Twitter) Discord Telegram
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
Market Data Newsletter
Thursday, June 11
  • Home
  • News
    • Politics
    • Legal & Courts
    • Tech & Big Tech
    • Campus & Education
    • Media & Culture
    • Global Free Speech
  • Opinions
    • Debates
  • Video/Live
  • Community
  • Freedom Index
  • About
    • Mission
    • Contact
    • Support
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
Home»News»Global Free Speech»Joint statement demands immediate release of Algerian Hirak poet Mohamed Tadjadit
Global Free Speech

Joint statement demands immediate release of Algerian Hirak poet Mohamed Tadjadit

News RoomBy News Room7 months agoNo Comments7 Mins Read1,093 Views
Share Facebook Twitter Pinterest Copy Link LinkedIn Tumblr Email VKontakte Telegram
Joint statement demands immediate release of Algerian Hirak poet Mohamed Tadjadit
Share
Facebook Twitter Pinterest Email Copy Link

Listen to the article

0:00
0:00

Key Takeaways

Playback Speed

Select a Voice

Ahead of upcoming court dates on 11 and 30 November 2025, 20 leading Algerian, regional and international organisations reiterate their calls on the Algerian authorities to drop all charges and release poet and activist Mohamed Tadjadit and his 12 co-defendants.

Mohamed Tadjadit along with 12 other activists, six of whom are currently detained, two in exile and four who are free pending trial, are facing baseless terrorism-related and “conspiracy against the state” charges punishable by death as the maximum sanction possible. The persecution of Tadjadit is based on his poetry and peaceful activism, making his continued imprisonment a violation of his fundamental rights. His prosecution sends an alarming signal to others who raise their voices for human rights and the rule of law in Algeria.

Tadjadit has long faced judicial harassment for his involvement in the Hirak movement that erupted in February 2019 to oppose the 5th term of former President Abdelaziz Bouteflika. Although the President resigned, the protesters continued to demonstrate, calling for political reforms and stronger human rights protections, despite a swift and harsh crackdown by the authorities. The authorities imprisoned Tadjadit at least six times between 2019 and 2025, for his artistic expression and political activism. Judicial authorities are now accusing Tadjadit of terrorism and “conspiracy against the state” on the basis of his political activism expressed through his poetry.

After being released under a presidential pardon from a previous period of detention in November 2024, the authorities arrested him again two months later on politically motivated charges. Following an expedited trial hearing, a judge sentenced him to five years in prison, which was later reduced to one year on appeal.

Mohamed Tadjadit has been shortlisted for the Index on Censorship Freedom of Expression Awards in recognition of his courageous and creative commitment to civilian rule, human rights, and democratic accountability in Algeria. His continued persecution, as well as the imprisonment of other protesters and prisoners of conscience, is a serious breach of Algeria’s obligations to international human rights law. We will continue to follow developments in these proceedings.

Mohamed Tadjadit is a poet and activist and should not be in prison. We call for him to be released and for all charges to be dropped.

Signed by:
Index on Censorship
Freemuse
Justitia Center for the Legal Protection of Human Rights in Algeria
Riposte Internationale
Cairo Institute for Human Rights Studies (CIHRS)
MENA Rights Group
Liberté Algérie
Shoaa For Human Rights
La Confédération Syndicale des Forces Productives (COSYFOP)
International Federation for Human Rights (FIDH)
PEN America
ARC – Artists at Risk Connection
EuroMed Rights
Amnesty International
PEN International
Adala For All association (AFA)
La Fondation pour la promotion des droits
Comité des Familles des Disparus en Algérie (CFDA)
Comité de Sauvegarde de la Ligue Algérienne des Droits de l’Homme (CS-LADDH)
Committee for Justice (CFJ)

—

Une déclaration commune exige la libération immédiate du poète algérien Mohamed Tadjadit, membre du mouvement Hirak, qui risque la peine de mort avant son audience prévue le 11 novembre.

À l’approche des audiences prévues les 11 et 30 novembre 2025, 20 organisations algériennes, régionales et internationales de premier plan réitèrent leur appel aux autorités algériennes pour qu’elles abandonnent toutes les charges retenues contre le poète et militant Mohamed Tadjadit et ses 12 coaccusés, et les libèrent.

Mohamed Tadjadit et 12 autres militants, dont six sont actuellement détenus, deux en exil et quatre en liberté dans l’attente de leur procès, font l’objet d’accusations sans fondement liées au terrorisme et à un « complot contre l’État », passibles de la peine capitale. La persécution de M. Tadjadit est fondée sur ses poèmes et son activisme pacifique, ce qui fait du maintien de sa détention une violation de ses droits fondamentaux. Les poursuites engagées à son encontre envoient un signal d’alarme à tous ceux qui élèvent la voix pour défendre les droits humains et l’État de droit en Algérie.

Tadjadit fait depuis longtemps l’objet de poursuites judiciaires pour son implication dans le mouvement Hirak, qui a éclaté en février 2019 pour s’opposer au cinquième mandat de l’ancien président Abdelaziz Bouteflika. Bien que le président ait démissionné, les manifestants ont continué à manifester, réclamant des réformes politiques et une meilleure protection des droits humains, malgré une répression rapide et sévère de la part des autorités. Les autorités ont emprisonné Tadjadit au moins six fois entre 2019 et 2025, pour son expression artistique et son activisme politique. Les autorités judiciaires accusent
désormais Tadjadit de terrorisme et de « complot contre l’État » sur la base de son activisme politique exprimé à travers sa poésie.

Après avoir été libéré en novembre 2024 d’une précédente période de détention grâce à une grâce présidentielle , les autorités l’ont de nouveau arrêté deux mois plus tard pour des motifs politiques. À l’issue d’un procès accéléré, un juge l’a condamné à cinq ans de prison, peine qui a ensuite été réduite à un an après appel.

Mohamed Tadjadit a été sélectionné pour le prix Index on Censorship Freedom of Expression Awards en reconnaissance de son engagement courageux et créatif en faveur du régime civil, des droits humains et de la responsabilité démocratique en Algérie. La persécution dont il continue de faire l’objet, ainsi que l’emprisonnement d’autres manifestants et prisonniers d’opinion, constituent une violation grave des obligations de l’Algérie envers le droit international relatif aux droits humains. Nous continuerons à suivre l’évolution de cette affaire.

Mohamed Tadjadit est un poète et un militant qui ne devrait pas être en prison. Nous demandons sa libération et l’abandon de toutes les charges qui pèsent contre lui.

—

منظمات حقوقية تعلن تضامنها مع الشاعر محمد َت َجاِّديت المعتقل والذي يواجه حالًيا عقوبة اإلعدام
قبيل جلسات المحاكمة المقررة في 11 و30 نوفمبر، تجّدد 20 من المنظمات الجزائرية واإلقليمية والدولية الموقعة أدناه دعوتها
للسلطات الجزائرية بإسقاط جميع التهم واإلفراج عن الشاعر والناشط محمد َت َجاِّديت ورفاقه الـ12 المتهمين معه.
ناش ًط آخر )بينهم 6 رهن االحتجاز حالًيا، واثنان في المنفى، وأربعة أخلي سبيلهم على ذمة القضية(، يواجه َت َجاِّديت، إلى جانب 12 ا
تهما ال أساس لها تتعلق باإلرهاب و”التآمر ضد الدولة”، وهي تهم يعاقب عليها باإلعدام، وذلك على خلفية نشاطه السلمي وأشعاره. ً
انتها لحقوقه األساسية. كما تمثل محاكمته رسالة ترهيب لكل من يرفع صوته دفا ًعا عن حقوق ًك األمر الذي يجعل استمرار حبسه ا
اإلنسان والديمقراطية في الجزائر.
لطالما واجه َت َجاِّديت مالحقات قضائية بسبب انخراطه في حراك فبراير ،2019 الذي انطلق رف ًضا للوالية الخامسة للرئيس السابق
عبد العزيز بوتفليقة. ورغم استقالة الرئيس، واصل المحتجون تظاهراتهم مطالبين بإصالحات سياسية وضمانات أكبر لحقوق
اإلنسان، رغم القمع العنيف والمتواصل من قبل السلطات.
َت ما ال يقل عن 6 مرات بين عامي 2019 و2025 بسبب نشاطه الفني والسياسي. حالًيا, يواجه تجاديت تهًما ُسجن َجاِّديت
باإلرهاب و”التآمر ضد الدولة” بسبب نشاطه السياسي وأشعاره، تصل عقوبتها حد اإلعدام. وبعد شهرين فقط على إطالق سراحه
بعفو رئاسي من فترة احتجاز سابقة في نوفمبر ،2024 أعادت السلطات الجزائرية اعتقاله بتهم ذات دوافع سياسية. و في جلسة
محاكمة مستعجلة، ُحكم عليه بالسجن خمس سنوات، تم تخفيضها بعد االستئناف إلى سنة واحدة.
تم اختيار محمد تجاديت لجائزة “مؤشر الرقابة لحرية التعبير”.تقدي ًرا اللتزامه الشجاع والمبدع ودفاعه عن الحكم المدني وحقوق
فضالَ عن الزج بمحتجين وسياسيين اإلنسان والمساءلة والديمقراطية في الجزائر. إن استمرار المالحقات القضائية لتجاديت،
قا جسي ًما اللتزامات الجزائر بموجب القانون الدولي لحقوق اإلنسان. سنواصل متابعة تطورات

ونشطاء آخرين في السجون، ُيعّد خرً
هذه القضية .

َت شاعر وناشط، ال ينبغي أن يكون خلف القضبان. نطالب باإلفراج عنه وإسقاط جميع التهم الموجهة إليه، وسنواصل متابعة َجاِّديت
تطورات قضيته.

المنظمات الموقعة:
.1 إندكس على الرقابة
.2 فريميوز
.3 مركز جيستيسيا للحماية القانونية لحقوق اإلنسان في الجزائر
.4 منظمة التصدي الدولية
.5 مركز القاهرة لدراسات حقوق اإلنسان
نا لحقوق اإلنسان
.6 مّ
.7 ليبرتي الجزائر
.8 منظمة شعاع لحقوق اإلنسان الجزائر
.9 الكنفدرالية النقابية للقوى المنتجة الجزائر
.10 الفيدرالية الدولية لحقوق اإلنسان
.11 منظمة القلم األمريكي
.12 منظمة الفنانون المعرضون للخطر
.13 األورو-متوسطية للحقوق
.14 منظمة العفو الدولية
.15 منظمة القلم الدولية
.16 جمعية عدالة للجميع
.17 المؤسسة من أجل تعزيز الحقوق الجزائر
.18 جمعية تج ّمع عائالت المفقودين في الجزائر
.19 لجنة إنقاذ الرابطة الجزائرية للدفاع عن حقوق اإلنسان
.20لجنة العدالة

Read the full article here

Fact Checker

Verify the accuracy of this article using AI-powered analysis and real-time sources.

Get Your Fact Check Report

Enter your email to receive detailed fact-checking analysis

5 free reports remaining

Continue with Full Access

You've used your 5 free reports. Sign up for unlimited access!

Already have an account? Sign in here

Share. Facebook Twitter Pinterest LinkedIn Tumblr Email Telegram Copy Link
News Room
  • Website
  • Facebook
  • X (Twitter)
  • Instagram
  • LinkedIn

The FSNN News Room is the voice of our in-house journalists, editors, and researchers. We deliver timely, unbiased reporting at the crossroads of finance, cryptocurrency, and global politics, providing clear, fact-driven analysis free from agendas.

Related Articles

Global Free Speech

Azerbaijani prosecutors seek up to 16 years in prison for defendants in Toplum TV case

7 hours ago
Global Free Speech

In Comoros, journalist arrested for report on jailed ex-president’s health

8 hours ago
Global Free Speech

Hungary’s Sziget festival is known as a safe place to express yourself freely. Photo: Sandor Csudai/www.facebook.com/csudaisandor This article first appeared in the Spring 2026 issue of Index on Censorship, The monster unleashed: How Hungary’s illiberal vision is seducing the Western world published on 2 April 2026. Crossing Budapest’s brutalist K-Bridge across the Danube to Óbuda Island on a grey spring day feels like the last journey of a condemned prisoner. The steel truss bridge was built as a temporary measure in 1955, a year before the uprising in which university students and ordinary citizens took to the streets to protest against the Stalinist government of Mátyás Rákosi. The single set of railway tracks suggests a one-way journey. It was built to give access to Budapest’s great Ganz Danubius shipyard. The shipyard was finally closed in 2000, after years of decline. These days, the bridge acts more like a rabbit hole from Orbán’s Hungary into Wonderland. Every summer, hundreds of thousands of people young and old cross to the leafy island to be entertained by music, theatre and dance, and to be challenged by debate, art and film – the joyous week-long celebration of free expression that is the Sziget Festival. Sziget was born from the ashes of Communism. In 1993, four years after the fall of the Iron Curtain, Károly Gerendai was just 22. Thin and sporting a shock of long hair like a Hungarian David Gilmour, Gerendai had become interested in the music industry whilst in high school. As a student, he earned money fly-posting and as a tour manager. Later, he managed bands and worked for record labels. That year, he was in charge of Sziámi, one of the best-known alt-rock bands in the Hungarian underground scene. On the tour bus after a concert, he fell into conversation with Péter Müller, the band’s frontman. “We talked about how, after the political transition, the big youth events had disappeared,” Gerendai told Index. “Before the political transition of 1989–90, there were state-organised youth events, but we quickly realised that they mainly served as a way for the state to control young people. Although we could meet and have fun together, we always felt the state’s watchful eye on us.” State control extended beyond the audience and on to the stage. “In the music industry, strong state selection was also in place: there were supported, tolerated, and banned bands, so not everyone was allowed to be heard.” This is where the seed of something new was born. Post Iron Curtain Co-founder Károly Gerendai. Photo: Sziget Festival “We thought it would be great to organise a multi-day event where young people could be together – something like a holiday combined with concerts, various cultural programmes, and community activities,” he said. Gerendai and Müller approached Gábor Demszky, mayor of Budapest at the time and first of the post-Communist era, for help. “He supported the concept but told us to organise it ourselves,” Gerendai told Index. “Even though we had no experience with anything like this, we boldly jumped into the organisation.” This make-it-up-as-you-go-along approach was typical in post-Soviet eastern Europe. The mayor suggested three possible venues for the festival, one of which was Óbuda Island. The island punctuates the Danube like a giant green exclamation mark between the city’s two halves, Buda and Pest. “Two iconic music events had previously been held there, both attracting huge interest,” said Gerendai. “One was the 1980 Black Sheep concert, a rare occasion when both tolerated and banned bands were allowed to perform. Then in 1991, it was one of the venues for the ‘Goodbye, Ivan!’ event celebrating the withdrawal of Soviet troops. I had worked on that event, which is how I got to know the subcontractors we later invited to help organise our festival.” Hungary’s youth were ready for a party. After only a few months’ preparation, the festival – initially called Diáksziget, Student Island in Hungarian – attracted 43,000 visitors over seven days. “We organised the first festival with the slogan ‘We need a week together’, referring to a carefree, shared community experience. Another slogan was ‘Everything is allowed, but nothing is mandatory’, which was meant to help us leave the past behind, celebrate freedom in every sense, and express that we never again wanted to live in a dictatorship,” said Gerendai. A wobbly start The line-up for the first festival was largely made up of Hungarian artists, such as alt-rock band Kispál és a Borz, punk band Tankcsapda, and singer János Bródy. In all, 200 bands performed on the festival’s two stages, alongside open-air movies and theatre productions. Yet, as was often the case after the fall of Communism, things didn’t work out as planned. Despite receiving sponsorship from Pepsi, the country’s Nagykanizsa brewery, and some support from the city of Budapest, the festival lost money. Lots of it. “It didn’t go smoothly,” admitted Gerendai. “We faced numerous problems during the process and made serious financial miscalculations.” By the end of the festival, it had run up a huge deficit, and only survived thanks to a bailout by the city council. But after this first turbulent year, Sziget not only survived but thrived. The following year saw the number of festivalgoers – or Szitizens as they are usually known – increase to 143,000. International acts like Jethro Tull, The Birds, and Jefferson Starship started to appear on the line-up. “Sziget outgrew Hungary’s borders early on, and we consciously developed the programme lineup, services, and visual identity so that we would be seen as a unique festival on the international scene as well,” said Gerendai. A beacon of light Chappell Roan on stage at Sziget. Photo: Sziget Festival By 2019, the festival was attracting more than half a million visitors to the Hungarian capital every year. The festival’s reputation was such that it was bringing in some of the world’s biggest music acts, including Arctic Monkeys, Kendrick Lamar, Kings of Leon, P!nk, Rihanna, Muse and David Guetta. Óbuda Island has remained the home of the festival. “It’s a great location: close to downtown Budapest, yet also a green, nature-filled area. It’s also symbolic – an island surrounded by a river, where once you cross the bridge, you can leave everyday problems behind,” Gerendai told Index. “It’s the origin of the nickname given by visitors: the Island of Freedom.” This nickname comes from the festival’s commitment to allowing artists and festival goers to speak their views – and was easy to pull off in a liberal city like Budapest keen to attract to hordes of young foreign tourists to boost the economy. In Gerendai’s opinion, freedom of expression was one of the major achievements of Hungary’s political transition in the 1990s. “I believe freedom of expression is a broader concept than simply who we agree or disagree with; it’s not fundamentally our role to judge other people’s views. At Sziget, we have always provided space for differences of opinion and we respect artistic freedom of expression on stage as well. At the same time, we do set limits: we do not allow hate-inciting or human-dignity violating expressions, and we also do not give space to extremist productions whose audiences could potentially endanger the safety of festival visitors.” As well as music, the festival is a thriving forum for circus, street theatre, film, visual arts and cabaret. At the heart of the festival is an area called Think for Tomorrow. The zone addresses pressing social issues that have an impact on the lives of young people, from their own perspective. “NGOs and organisations that play an important role in social and cultural life have also had their own dedicated space at Sziget since the early days,” said Gerendai. “These groups are worth introducing to the festival audience, and their work aligns with Sziget’s core values, such as sustainability, the protection of human rights, and acceptance.” Stepping back Magic Mirror at Sziget. Photo: Kristóf Hölvényi /Rockstar Photographers www.instagram.com/kristofholvenyi/ Eight years ago, after running 25 Sziget festivals, Gerendai decided to step back and sell his interest in the festival to promoter Superstruct, owned by American private equity company KKR. “I decided to pass the baton and from then on followed the festival only as a guest,” he said. During his time at its helm, the values of the Sziget festival had grown increasingly at odds with those of Viktor Orbán’s Fidesz government. There is a huge LGBTQ+ presence at Sziget, both in visitors and artists, with the Magic Mirror venue on the site hosting themed content exploring the LGBTQ+ experience. After the Orbán government introduced anti-LGBTQ+ legislation in 2021, the festival’s new organisers came under pressure over its stance, and there were calls for them to ban under-18s from Magic Mirror. The organisers refused. Sziget’s audience has made itself heard on [former Hungarian prime minister] Orbán over the past few years. At the 2023 festival, during Hungarian rapper Krúbi’s performance the audience started chanting Mocskos Fidesz (Filthy Fidesz). This chant has since become popular common at the festival and at other music events. The Kneecap ban Friction between the festival and Orbán burst into the open in 2025 after Irish rappers Kneecap, who were due to perform at the festival that summer, were banned from the country for being a national security threat. Kneecap are outspoken critics of right-wing political ideology and are particularly scathing about the Israel-Gaza War. Kneecap (along with Bob Vylan) had performed inflammatory sets at Glastonbury the month before and Orbán, for his part, has been strengthening his strategic alliance with Israel, going so far as to declare that “Jewish communities are safer in Budapest than anywhere else in Europe”. Orbán told state broadcaster Kossuth Radio that he was angry that the band had been invited to play at Sziget. He claimed that the organisers’ decision was motivated by financial gain. “Is this damn money really that important?” Orbán asked the radio presenter. Even though they were unable to perform, Kneecap shared a message with festivalgoers gathering at the stage on which they were due to perform. The message read: “We wish we could be there with you at one of the best festivals in the world and the first European festival Kneecap ever played,” the message read. “We can’t because of one hate filled man. Viktor Orbán.” When this part of the message was displayed, a huge crowd who had been told on social media to expect something from the band started booing and chanting “Fuck Orbán”. The message continued: “We have been convicted of zero crimes in any country ever. But we will call out oppression. For calling out Israel’s genocidal campaign Viktor has banned us from your beautiful country for three years. Israel is committing a genocide against the Palestinian people. Viktor Orbán and his government support it. Viktor Orbán and his government tried to shut down Pride in Budapest. They failed. We must stand together. Oppose Orbán. Oppose Israel. Oppose genocide.” The festival’s robust stance in favour of LGBTQ+ rights has won it the European Festival Awards Take a Stand prize twice, in 2023 and 2026 (for 2025). The award recognises festivals that stand up for peaceful dialogue, humanism, tolerance, and mutual understanding – activities that do not necessarily chime with the profit imperative. Stepping forward again It is true, though, that since the Covid pandemic money has been a big problem for the Sziget festival. Like many other European music festivals, Sziget had struggled thanks to two years of cancellations, the spiralling cost of living, and sharply rising artist fees. The festival lost $5.6 million in 2023, and almost $12 million in 2024. In 2025, the company running the festival (without Gerendai) sent a letter to Budapest mayor Gergely Karácsony calling for the agreement between the festival and the city, as the island’s landowner, to be terminated. The festival seemed to be doomed. But the return of a familiar figure saved it at the last minute – its co-founder, Gerendai. “The new owner decided that they no longer wished to finance the festival, which had found itself in a difficult situation in the post-pandemic years due to economic conditions and, in my view, certain conceptual decisions as well,” said Gerendai. “They offered that if I took Sziget back, we could continue organising it under my leadership. So it was either I return – or there would be no Sziget.” “It caused me several sleepless nights, since in the meantime I had been working on completely different things,” Gerendai told Index. “But in the end, I felt that a festival that has become a cultural institution in Hungary and is also significant on the international scene simply cannot end abruptly. Besides, this is my child – I couldn’t abandon it.” Superstruct has come under huge pressure from activists and artists since its acquisition by KKR in June 2024. KKR has significant investments in Israeli companies, including some operating in the West Bank. In May 2025, a number of artists pulled out of the UK’s Field Day festival because of its Superstruct ownership. The transfer of the licence from Superstruct back to Gerendai almost didn’t happen. Budapest City Council initially blocked the transfer, with councillors from Fidesz and Péter Magyar’s opposition Tisza party abstaining from the vote. However, Hungary’s Index newspaper reports that Magyar, reacting to negative sentiment from potential voters over the news that Sziget might fold, quickly arranged a meeting with Gerendai. On 30 October, Magyar posted a picture of himself and Gerendai on Facebook, announcing that the pair would meet again at the 2026 festival after agreeing on two amendments to the proposals: first, that the costs of using the island would be paid back to the city by 2030 rather than 2035, and second, that all Hungarians under the age of 25 would get discounted tickets to the festival – a potential vote-winner among this demographic. Gerendai himself won’t be drawn on his politics. The 2026 Sziget festival is now set to go ahead from 11 to 15 August 2026, featuring Florence + The Machine, Lewis Capaldi, Sombr, Twenty One Pilots, Biffy Clyro and Underworld as well as hundreds of others including Hungarian rapper Sisi on the line-up. Gerendai said, “Many large music festivals operate primarily as business ventures focused on who is performing. In recent years, Sziget had also started to move in this direction, but I believe a festival should stand for more than that. Cultural diversity must be emphasised, as well as a commitment to core values. Reaffirming this ambition can be the key to long-term success – and this is what we aim for in the future.” The future for music festivals remains uncertain but, for now, the legendary island of freedom looks safe back in Gerendai’s hands. READ MORE

11 hours ago
Global Free Speech

CPJ welcomes conviction of 2 men for attack on Iran International journalist in London

1 day ago
Global Free Speech

CPJ welcomes Polish prosecutors’ renewed commitment to Ziętara murder case

2 days ago
Global Free Speech

Journalist, press freedom advocate Cristian Herrera Nariño killed in northern Colombia

2 days ago
Add A Comment

Comments are closed.

Editors Picks

Kalshi now requires users to reveal employers as it fights insider trading and market manipulation

34 minutes ago

CFTC Proposes Prediction Market Rules Favoring Sports Contracts

38 minutes ago

The Internet Is Furious at Anthropic After Claude Fable 5 Release

44 minutes ago

Congress Just Rushed Through a Disastrous Copyright Office Overhaul

1 hour ago
Latest Posts

California’s AB 412 Still Demands AI Developers Do The Impossible

1 hour ago

Remembering Gordon Wood

1 hour ago

Mastercard prepares agentic commerce platform for a future where AI agents make payments

2 hours ago

Subscribe to News

Get the latest news and updates directly to your inbox.

At FSNN – Free Speech News Network, we deliver unfiltered reporting and in-depth analysis on the stories that matter most. From breaking headlines to global perspectives, our mission is to keep you informed, empowered, and connected.

FSNN.net is owned and operated by GlobalBoost Media
, an independent media organization dedicated to advancing transparency, free expression, and factual journalism across the digital landscape.

Facebook X (Twitter) Discord Telegram
Latest News

Google Isn’t a Common Carrier, Ohio Court of Appeals Rules

13 minutes ago

Kalshi now requires users to reveal employers as it fights insider trading and market manipulation

34 minutes ago

CFTC Proposes Prediction Market Rules Favoring Sports Contracts

38 minutes ago

Subscribe to Updates

Get the latest news and updates directly to your inbox.

© 2026 GlobalBoost Media. All Rights Reserved.
  • Privacy Policy
  • Terms of Service
  • Our Authors
  • Contact

Type above and press Enter to search. Press Esc to cancel.

🍪

Cookies

We and our selected partners wish to use cookies to collect information about you for functional purposes and statistical marketing. You may not give us your consent for certain purposes by selecting an option and you can withdraw your consent at any time via the cookie icon.

Cookie Preferences

Manage Cookies

Cookies are small text that can be used by websites to make the user experience more efficient. The law states that we may store cookies on your device if they are strictly necessary for the operation of this site. For all other types of cookies, we need your permission. This site uses various types of cookies. Some cookies are placed by third party services that appear on our pages.

Your permission applies to the following domains:

  • https://fsnn.net
Necessary
Necessary cookies help make a website usable by enabling basic functions like page navigation and access to secure areas of the website. The website cannot function properly without these cookies.
Statistic
Statistic cookies help website owners to understand how visitors interact with websites by collecting and reporting information anonymously.
Preferences
Preference cookies enable a website to remember information that changes the way the website behaves or looks, like your preferred language or the region that you are in.
Marketing
Marketing cookies are used to track visitors across websites. The intention is to display ads that are relevant and engaging for the individual user and thereby more valuable for publishers and third party advertisers.