Close Menu
Market Data Newsletter
Monday, September 28
Global Free Speech

CPJ premieres new BBC film calling for international media access to Gaza

News RoomBy No Comments2 Mins Read2 Views
CPJ premieres new BBC film calling for international media access to Gaza

Listen to the article

0:00
0:00

Film produced by the BBC in collaboration with AFP, AP, and Reuters 

New York, September 26, 2025—To coincide with the United Nations General Assembly High-level Week in New York, on Wednesday the Committee to Protect Journalists (CPJ) premiered a short film produced by the BBC reaffirming calls for Israel to allow foreign journalists into Gaza. 

The film was narrated by veteran BBC journalist David Dimbleby and developed in collaboration with Agence France-Presse (AFP), the Associated Press (AP), and Reuters. 

Israeli authorities have prevented international journalists from entering Gaza since the start of the war, except for brief excursions, tightly controlled by the military. The ban has placed an impossible burden on local Palestinian journalists to document what leading human rights groups and UN experts agree is a genocide. 

The film was launched at CPJ’s new Journalist Solidarity Social, a monthly event aimed at building community with journalists, media workers, and press freedom advocates amid an increasingly hostile time for the press.

###

About the Committee to Protect Journalists

The Committee to Protect Journalists (CPJ) is an independent, nonprofit organization that promotes press freedom worldwide. We defend the right of journalists to report the news safely and without fear of reprisal.

For media queries, please contact [email protected].

Read the full article here

Fact Checker

Verify the accuracy of this article using AI-powered analysis and real-time sources.

Share.

The FSNN News Room is the voice of our in-house journalists, editors, and researchers. We deliver timely, unbiased reporting at the crossroads of finance, cryptocurrency, and global politics, providing clear, fact-driven analysis free from agendas.

Related Articles

Global Free Speech

The BBC clearly sees the value of television series That Mitchell and Webb Look. Marking the 20th anniversary of its original screening, the Beeb has re-released the series on iPlayer. But – and there is very often a “but” with these things – they’ve removed around 11 sketches from the BAFTA award-winning show. The official word is that these sketches don’t “work today”, which is polite speak for “they may cause offence”. The episodes singled out include scenes featuring a battle reenactment with characters in blackface, a contestant on a show wearing a burka and a lost tribe” in a garden centre. These sketches set out to challenge stereotypes, not to reinforce them; but 20 years on, this distinction seems to have been lost along the way. I’m a bit uncomfortable about this. I find it infantilising, to say the least. Can’t we trust audiences to make up their own minds, to switch off if they find the sketches in question unpalatable? Does the BBC think that we are just passive consumers, unable to disaggregate the mocking of racism from racism itself? These sketches set out to challenge stereotypes, not to reinforce them This act of censorship is distorting – of the shows, whose narratives and rhythms were built to include these sketches, and more broadly too. Conversations we were having 20 years ago have been erased, as if to suggest that they never happened. But they did! And with this erasure, the opportunity for thoughtful engagement and learning from our past is gone. “Let’s just pretend we were all lovely 20 years ago. It’s better that way” seems to be the message. Speaking as a minority myself, I find that knowing the nasty stuff that people said before – and indeed, still say today – is much more useful than pretending it never happened. This approach, I think, is also inconsistent. What it reveals is a cherry-picking (intended or not) of the groups that we can mock, and those that we can’t. Let’s face it, gender stereotypes are rarely deemed to have aged beyond the pale – if that were the case, we would have to wave goodbye to half the television made before the mid-2010s. Suppression like this sends a bad message to artists, namely that what they’re creating today may hold less value tomorrow. Or, even worse, that future audiences may deem them bigots – that Sword of Damocles hovering over the heads of any creative paying attention to the discourse of the moment. Suppression like this sends a bad message to artists The BBC’s decision reaffirms a broader trend. In 2020, Little Britain was removed from the iPlayer platform for similar reasons. It has since been reinstated – minus some sketches. Meanwhile, the UK’s arts space more broadly is seeing a retreat to the land of “safe”, as Index recently revealed in a year-long investigation into self-censorship in UK theatre. The BBC, it must be said, does remarkable stuff. The ongoing podcast investigation into the disappearance of US journalist Austin Tice is just one example. But this does not mean, however, that they don’t sometimes get it wrong. Chopping at That Mitchell and Webb Look is one example. Sure, the removal of the material isn’t the life-or-death story that Index often works on. Sure, Mitchell and Webb aren’t the faces of persecuted artists – they have huge platforms and agreed to the changes themselves. Still, one can’t help but think that the decision came from a place of conservatism, perhaps even fear. This is weak and dispiriting, indeed the very opposite of what enables creativity in the arts. We shouldn’t be encouraging this cultural timidity. Rather, we should harness culture and creativity as the starting points of a conversation about our here and now. That’s what the arts are for, after all. READ MORE

Add A Comment

Comments are closed.