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Home»News»Global Free Speech»CPJ, Free Press express deep concern as Mario Guevara faces imminent deportation
Global Free Speech

CPJ, Free Press express deep concern as Mario Guevara faces imminent deportation

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CPJ, Free Press express deep concern as Mario Guevara faces imminent deportation
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Washington, D.C., October 1, 2025—The Committee to Protect Journalists and Free Press express deep concern that a United States Appeals Court rejected a motion for stay of removal in the case of Mario Guevara, meaning that the journalist could now be deported back to his native El Salvador. 

In a decision published Wednesday, the court affirmed Guevara’s First Amendment rights, but cited his failure to file certain immigration documents as the reason for denying Guevara’s motion for stay of his removal. 

“Mario Guevara should not be deported back to El Salvador. Today’s appeals court decision reaffirmed his First Amendment rights to record law enforcement activity, a statement seemingly at odds with the Bureau of Immigration Appeals decision that facilitated Guevara’s prolonged detention,” said CPJ U.S., Canada, and Caribbean Program Coordinator Katherine Jacobsen. “Law enforcement initially detained Guevara in connection with his reporting and continued to hold him in custody based on the argument that his livestreaming activities pose a danger to law enforcement. This should send chills to all reporters and individuals who livestream. It is vital that Guevara not be removed from the United States.” 

“Free Press condemns the imminent removal of award-winning journalist Mario Guevara from the United States,” said Nora Benavidez, senior counsel at Free Press. “His case is emblematic of this administration’s repeated acts of retaliation against dissent — targeting immigrants, students, law firms, universities, media outlets and independent journalists. The fight for Mario doesn’t end with his deportation; it will go on until he is free to return to the United States and continue his important work.”

On September 19, the Board of Immigration Appeals reopened Guevara’s 13-year-old immigration case, declining to release him on bond. This move came after the American Civil Liberties Union on August 21 filed a habeas petition stating that Guevara is being detained primarily on the basis of his journalism, and this continued detention is a violation of his First and Fifth Amendment rights. A coalition of over three dozen press freedom and human rights organizations called for his release, and a group of over 100 prominent writers, journalists and scholars have also called for Guevara to be freed.

An Emmy-winning, Spanish-language reporter who covers immigration, Guevara was arrested June 14 after livestreaming an Atlanta metro area “No Kings” protest against the Trump administration’s policies, and the federal government argued to continue Guevara’s detention on grounds that his filming of law enforcement activities created a risk to public safety.

For a full chronology of events in Guevara’s case, see CPJ’s timeline.

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The BBC clearly sees the value of television series That Mitchell and Webb Look. Marking the 20th anniversary of its original screening, the Beeb has re-released the series on iPlayer. But – and there is very often a “but” with these things – they’ve removed around 11 sketches from the BAFTA award-winning show. The official word is that these sketches don’t “work today”, which is polite speak for “they may cause offence”. The episodes singled out include scenes featuring a battle reenactment with characters in blackface, a contestant on a show wearing a burka and a lost tribe” in a garden centre. These sketches set out to challenge stereotypes, not to reinforce them; but 20 years on, this distinction seems to have been lost along the way. I’m a bit uncomfortable about this. I find it infantilising, to say the least. Can’t we trust audiences to make up their own minds, to switch off if they find the sketches in question unpalatable? Does the BBC think that we are just passive consumers, unable to disaggregate the mocking of racism from racism itself? These sketches set out to challenge stereotypes, not to reinforce them This act of censorship is distorting – of the shows, whose narratives and rhythms were built to include these sketches, and more broadly too. Conversations we were having 20 years ago have been erased, as if to suggest that they never happened. But they did! And with this erasure, the opportunity for thoughtful engagement and learning from our past is gone. “Let’s just pretend we were all lovely 20 years ago. It’s better that way” seems to be the message. Speaking as a minority myself, I find that knowing the nasty stuff that people said before – and indeed, still say today – is much more useful than pretending it never happened. This approach, I think, is also inconsistent. What it reveals is a cherry-picking (intended or not) of the groups that we can mock, and those that we can’t. Let’s face it, gender stereotypes are rarely deemed to have aged beyond the pale – if that were the case, we would have to wave goodbye to half the television made before the mid-2010s. Suppression like this sends a bad message to artists, namely that what they’re creating today may hold less value tomorrow. Or, even worse, that future audiences may deem them bigots – that Sword of Damocles hovering over the heads of any creative paying attention to the discourse of the moment. Suppression like this sends a bad message to artists The BBC’s decision reaffirms a broader trend. In 2020, Little Britain was removed from the iPlayer platform for similar reasons. It has since been reinstated – minus some sketches. Meanwhile, the UK’s arts space more broadly is seeing a retreat to the land of “safe”, as Index recently revealed in a year-long investigation into self-censorship in UK theatre. The BBC, it must be said, does remarkable stuff. The ongoing podcast investigation into the disappearance of US journalist Austin Tice is just one example. But this does not mean, however, that they don’t sometimes get it wrong. Chopping at That Mitchell and Webb Look is one example. Sure, the removal of the material isn’t the life-or-death story that Index often works on. Sure, Mitchell and Webb aren’t the faces of persecuted artists – they have huge platforms and agreed to the changes themselves. Still, one can’t help but think that the decision came from a place of conservatism, perhaps even fear. This is weak and dispiriting, indeed the very opposite of what enables creativity in the arts. We shouldn’t be encouraging this cultural timidity. Rather, we should harness culture and creativity as the starting points of a conversation about our here and now. That’s what the arts are for, after all. READ MORE

5 days ago
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