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This essay was originally published by The News & Observer on April 10, 2026.
“Hey guys, welcome back to my channel,” says the young blonde host as she stands on the campus of UNC Chapel Hill. “Today I’m going to be taking a step outside of Granville and exploring a third-world country — South Campus.”
What follows is a satire of the genre of performative allyship that some refer to as “white lady liberalism.” Our host continues, “Now I know what you guys are thinking. Stacy, isn’t that, like, super dangerous? The truth is, the people here are just like us. And I’m here to prove it. I just can’t wait to bask in their culture and in their struggle. The truth is, we have nothing to be afraid of.” But just to be safe, she adds, she is taking along two bodyguards, pepper spray, and a taser (as well as her vape).
At this point in the video, the joke could go one of two ways. This could end up being a satire of people who are foolish enough to go slumming, who think we have nothing to be afraid of, or a satire of people with such racist hyper-sensitivities that they feel the need to carry mace to visit the other half of their public Ivy campus. The joke ends up going in the second direction.
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When they get to South Campus, the theme song from The Good, the Bad, and the Ugly plays in the background as if Stacy has been wandering across a desert wasteland for days. She pauses, and says she’s surprised to see South Campus has roads and buildings. One of her bodyguards notices a nearby building is missing a brick and warns Stacy to watch out for sepsis. The sketch is dripping with mockery for the soft bigotry of exoticizing ordinary places, such as by treating a section of campus as if it’s rural Chad, and the over-the-top pearl-clutching of this well-intentioned white girl whose bodyguards gasp at masonry defects.
In the next scene, a black female student recognizes Stacy and runs up to give her a hug. But Stacy recoils and pretends not to know the girl. She’s a racist Regina George from Mean Girls, warm and performative but image-obsessed and disavowing in public. In the next scene, Stacy continues the tour — “This is where they play their games, such as basketball and futbol” — and introduces herself to a young Latino boy who is in the middle of a pickup game. “Hi, my name’s Stacy. Staaacy. Me, Staaacy.” The boy catches the basketball, looks at her like she’s a moron, and shakes his head. The joke is, unmistakably, at her expense.
On April 1, The Daily Tar Heel ran several satirical headlines — “The Daily Woke Heel,” “Trump orders ALE in Chapel Hill to be replaced with ICE agents,” and “UNC brings back DEI — for whites.” Then on Monday, the student-run late-night variety show Hill After Hours released the South Campus sketch from its March 31 episode on TikTok. One black student filmed a response to the headlines and the sketch, noting that South Campus historically housed black students and calling the sketch racist. The editors of The Daily Tar Heel issued an apology and removed headlines. Things took an even darker turn when UNC Chapel Hill publicly condemned the articles and the video.
“Recent content of both a racist and insensitive nature has had a profound impact on our Carolina students and their families,” wrote Senior Vice Provost James Orr. “Any content that demeans, harms, or contributes to an unwelcoming environment in our campus community is unacceptable.” But these remarks seemingly ignore UNC Chapel Hill’s own free expression policies, state law obligations, and the First Amendment to the Constitution.
To be fair, Orr did recognize that his office has no authority over The Daily Tar Heel, saying the newspaper “operates as a nonprofit organization legally and financially independent of the university.” Still, he called the satirical articles “highly inappropriate and offensive” and said, “we unequivocally condemn them.” That didn’t stop the chill from hitting the newsroom. After the condemnation, The Daily Tar Heel announced it was adding a news adviser, seeking DEI training, and shelving satire for the rest of the semester.
As for Hill After Hours, Orr said, “Student Affairs is investigating this incident to determine more information about how and by whom the video was authorized and produced as well as next steps to address concerns.”
Investigating a student group or condemning speech is not the role of a public university. Students and student journalists do not lose their First Amendment rights just because their speech is offensive, unpopular, or badly received. The Supreme Court has made that clear: In Papish v. Board of Curators of the University of Missouri, the Court held that a political cartoon in a student paper depicting police officers raping the Statue of Liberty and Goddess of Justice was protected speech. “The mere dissemination of ideas” on campus, the Court explained, however “offensive” to others, “may not be shut off in the name alone of ‘conventions of decency.’”
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But that’s exactly what UNC Chapel Hill is doing. Satire that others find offensive will continue to be shut off in the name of “decency” if the university doesn’t change course.
Constitutional law isn’t the university’s only concern. North Carolina state law requires the Board of Governors of the University of North Carolina to “remain neutral, as an institution, on the political controversies of the day.” This law enshrines a standard of institutional neutrality for UNC institutions. Institutional neutrality, as best described by the University of Chicago’s Kalven Report, means that a university “is the home and sponsor of critics; it is not itself the critic.” This creates space for individual and collective voices to flourish rather than chilling voices of opposition, much less humor.
This law also limits how UNC system schools can restrict student expression, specifically stating “constituent institutions shall be allowed to restrict student expression only for expressive activity not protected by the First Amendment.” Both The Daily Tar Heel‘s and Hill After Hours’ speech is protected — so UNC Chapel cannot restrict their expression, plain and simple.
Naturally, critics are free to answer The Daily Tar Heel and Hill After Hours with more speech. They can comment on the article or videos online. Or they can make their own content in response, as some students already have. But the school itself, as a public research university, is not free to answer such speech with actions designed to chill student expression.
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