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Home»News»Global Free Speech»Journalist Mario Guevara to be deported from US in unprecedented case 
Global Free Speech

Journalist Mario Guevara to be deported from US in unprecedented case 

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Journalist Mario Guevara to be deported from US in unprecedented case 
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Washington, D.C., October 2, 2025—In response to news that journalist Mario Guevara will be deported on Friday from the United States back to his native El Salvador, the Committee to Protect Journalists and Free Press issued the following statements:  

“Mario Guevara’s deportation is a troubling sign of the deteriorating freedom of the press under the Trump administration,” said CPJ U.S., Canada, and Caribbean Program Coordinator Katherine Jacobsen. “Make no mistake, this is not a simple immigration case as authorities would have the public believe. Guevara was first detained in retaliation for his reporting and throughout his prolonged detention the government argued that he was being held because his livestreaming activity posed a danger to law enforcement activity. It is shameful that the U.S. government is deporting Guevara, the first time that CPJ has documented this type of retaliation related to reporting activity.”  

“This case is chilling for us all,” said Free Press’ senior counsel Nora Benavidez. “And that’s the point — the administration will stop at nothing, not even the First Amendment, to bully people into silence. A court just ruled that the Trump administration engaged in a campaign of censorship by detaining and trying to deport students supporting Palestinian rights. Mario Guevara was here legally in the country, yet similarly he was targeted for removal because the government disliked him exercising his First Amendment rights. It’s devastating to see this administration abandon the core press freedom principles the United States was founded on.”

Guevara’s son made public that his father’s deportation is set for this Friday during a Thursday Facebook live broadcast.

The court denied Guevara’s motion for reconsideration of Wednesday’s appeals court decision, affirming the path for his imminent removal, according to court records.

An Emmy-winning, Spanish-language reporter who covers immigration, Guevara was arrested June 14 after livestreaming an Atlanta metro area “No Kings” protest against the Trump administration’s policies. The federal government has argued to continue Guevara’s detention on grounds that his filming of law enforcement activities created a risk to public safety.

For a full chronology of events in Guevara’s case, see CPJ’s timeline.

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The BBC clearly sees the value of television series That Mitchell and Webb Look. Marking the 20th anniversary of its original screening, the Beeb has re-released the series on iPlayer. But – and there is very often a “but” with these things – they’ve removed around 11 sketches from the BAFTA award-winning show. The official word is that these sketches don’t “work today”, which is polite speak for “they may cause offence”. The episodes singled out include scenes featuring a battle reenactment with characters in blackface, a contestant on a show wearing a burka and a lost tribe” in a garden centre. These sketches set out to challenge stereotypes, not to reinforce them; but 20 years on, this distinction seems to have been lost along the way. I’m a bit uncomfortable about this. I find it infantilising, to say the least. Can’t we trust audiences to make up their own minds, to switch off if they find the sketches in question unpalatable? Does the BBC think that we are just passive consumers, unable to disaggregate the mocking of racism from racism itself? These sketches set out to challenge stereotypes, not to reinforce them This act of censorship is distorting – of the shows, whose narratives and rhythms were built to include these sketches, and more broadly too. Conversations we were having 20 years ago have been erased, as if to suggest that they never happened. But they did! And with this erasure, the opportunity for thoughtful engagement and learning from our past is gone. “Let’s just pretend we were all lovely 20 years ago. It’s better that way” seems to be the message. Speaking as a minority myself, I find that knowing the nasty stuff that people said before – and indeed, still say today – is much more useful than pretending it never happened. This approach, I think, is also inconsistent. What it reveals is a cherry-picking (intended or not) of the groups that we can mock, and those that we can’t. Let’s face it, gender stereotypes are rarely deemed to have aged beyond the pale – if that were the case, we would have to wave goodbye to half the television made before the mid-2010s. Suppression like this sends a bad message to artists, namely that what they’re creating today may hold less value tomorrow. Or, even worse, that future audiences may deem them bigots – that Sword of Damocles hovering over the heads of any creative paying attention to the discourse of the moment. Suppression like this sends a bad message to artists The BBC’s decision reaffirms a broader trend. In 2020, Little Britain was removed from the iPlayer platform for similar reasons. It has since been reinstated – minus some sketches. Meanwhile, the UK’s arts space more broadly is seeing a retreat to the land of “safe”, as Index recently revealed in a year-long investigation into self-censorship in UK theatre. The BBC, it must be said, does remarkable stuff. The ongoing podcast investigation into the disappearance of US journalist Austin Tice is just one example. But this does not mean, however, that they don’t sometimes get it wrong. Chopping at That Mitchell and Webb Look is one example. Sure, the removal of the material isn’t the life-or-death story that Index often works on. Sure, Mitchell and Webb aren’t the faces of persecuted artists – they have huge platforms and agreed to the changes themselves. Still, one can’t help but think that the decision came from a place of conservatism, perhaps even fear. This is weak and dispiriting, indeed the very opposite of what enables creativity in the arts. We shouldn’t be encouraging this cultural timidity. Rather, we should harness culture and creativity as the starting points of a conversation about our here and now. That’s what the arts are for, after all. READ MORE

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