Close Menu
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
  • Home
  • News
    • Politics
    • Legal & Courts
    • Tech & Big Tech
    • Campus & Education
    • Media & Culture
    • Global Free Speech
  • Opinions
    • Debates
  • Video/Live
  • Community
  • Freedom Index
  • About
    • Mission
    • Contact
    • Support
Trending

Why So Many People Feel Lost

17 minutes ago

Prediction markets get first U.S. rule proposal as CFTC pursues contract reviews

39 minutes ago

Pyth Launches 24/7 Pricing Indices for Stocks and Commodities

42 minutes ago
Facebook X (Twitter) Instagram
Facebook X (Twitter) Discord Telegram
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
Market Data Newsletter
Wednesday, June 10
  • Home
  • News
    • Politics
    • Legal & Courts
    • Tech & Big Tech
    • Campus & Education
    • Media & Culture
    • Global Free Speech
  • Opinions
    • Debates
  • Video/Live
  • Community
  • Freedom Index
  • About
    • Mission
    • Contact
    • Support
FSNN | Free Speech News NetworkFSNN | Free Speech News Network
Home»News»Media & Culture»Pentagon to Anthropic: If You Won’t Let Us Use Your AI for Mass Surveillance or Autonomous Weapons, Expect Punishment
Media & Culture

Pentagon to Anthropic: If You Won’t Let Us Use Your AI for Mass Surveillance or Autonomous Weapons, Expect Punishment

News RoomBy News Room3 months agoNo Comments13 Mins Read210 Views
Share Facebook Twitter Pinterest Copy Link LinkedIn Tumblr Email VKontakte Telegram
Pentagon to Anthropic: If You Won’t Let Us Use Your AI for Mass Surveillance or Autonomous Weapons, Expect Punishment
Share
Facebook Twitter Pinterest Email Copy Link

Listen to the article

0:00
0:00

Key Takeaways

Playback Speed

Select a Voice

The U.S. Department of Defense is in a standoff with artificial intelligence developer Anthropic over the company’s refusal to let the government use its products for autonomous weapons and mass surveillance of U.S. citizens.

The feud presents a frightening picture of the government’s agenda when it comes to AI technology—and the lengths to which it’s willing to go, or at least threaten to go, in order to access AI tools without any safeguards. Defense Secretary Pete Hegseth said yesterday that the Trump administration might even invoke the Defense Production Act to force Anthropic to let the military use its products how the Pentagon sees fit.

You are reading Sex & Tech, from Elizabeth Nolan Brown. Get more of Elizabeth’s sex, tech, bodily autonomy, law, and online culture coverage.

Anthropic—best known for its AI assistant Claude—is also the official AI supplier to the U.S. military and the only AI model that can be used with the military’s classified systems. From the get-go, Anthropic’s agenda has been on developing and deploying AI safely (which is why the company also made news this week by walking back its pledge to stop training AI further if it wasn’t certain doing so would be safe).

Anthropic has placed some limitations on how the U.S. military can use the AI models it develops: No mass spying on Americans and no developing weapons that can deploy without human involvement.

Human soldiers can disobey unconstitutional orders, but “with fully autonomous weapons, we don’t necessarily have those protections,” Anthropic CEO Dario Amodei told Ross Douthat in a recent interview. Amodei also worried that AI could help the government track protesters and political opponents and “make a mockery of the Fourth Amendment.”

“Anthropic’s conversations with the [Department of Defense] have focused on a specific set of Usage Policy questions—namely, our hard limits around fully autonomous weapons and mass domestic surveillance,” a company spokesperson told Axios earlier this month.

While not explicitly expressing a desire to use AI for those purposes, the Pentagon has insisted that Anthropic setting any limits on the military’s use will not do. It wants Anthropic to grant the government the right to employ its products for “all lawful use,” according to CNN.

“Anthropic has no plans to budge and adhere to the Pentagon’s demands,” CNN reports.

More companies should tell government officials to pound sand in a large variety of situations. https://t.co/WChx6ecjmW

— J.D. Tuccille (@JD_Tuccille) February 24, 2026

This refusal hasn’t gone over well with the Trump administration. Hegseth has reportedly demanded that Anthropic remove its restrictions on certain military uses or else face consequences.

These consequences could include the Defense Department ending its business relationship with Anthropic as soon as Friday—which, OK, fine.

While not reassuring that the government won’t respect these limits around robot death machines and mass spying, it’s sadly not surprising. Ending its relationship with Anthropic’s contract in response would be a disappointing but not outrageous or beyond bounds.

What pushes this above and beyond normal government villainy are the other potential consequences that Hegseth has been floating, including using the Defense Production Act to compel compliance or declaring Anthropic a “supply chain risk”—possibly both. An anonymous senior official reportedly told Axios that severing ties with Anthropic would be “an enormous pain in the ass” for which Anthropic would have to “pay a price.”

Declaring Anthropic a supply chain risk would mean anyone who wants to work with the U.S. military in any capacity must sever ties with the AI company.

“Activating this power would cost Anthropic a lot of business—potentially quite a lot—and give investors huge skepticism about whether the company is worth funding for the next round of scaling,” writes Dean Ball, a senior fellow at the Foundation for American Innovation. “Capital was a major constraint anyway, but this makes it much harder. This option could be existential for Anthropic.”

Declaring an entity a supply chain risk is usually a move reserved for risky dealings with foreign companies. Deploying this designation against a U.S. company just because its leaders have some morals and some backbone is highly undemocratic—the sort of move one would traditionally expect from the Chinese Communist Party, not a U.S. administration.

But it gets worse. Hegseth is also threatening to “invoke the Defense Production Act to force the company to tailor its model to the military’s needs” and remove all safeguards, per Axios.

So, here we have an AI company trying to act ethically and prevent government abuse of this technology and the government threatening to seize the company’s property and do with it whatever the Pentagon wants. If that’s allowed, it means no limits on what abuses the government can force private companies to participate in.

The Defense Production Act was created to allow the president to commandeer certain means of production in times of war. As Reason‘s Eric Boehm points out, presidents haven’t always stuck to this strict interpretation (during the pandemic, it was used to force more production of vaccines, baby formula, and more).

But it “is rarely used in such a blatantly adversarial way” as the Trump administration is now using it, Axios points out.

The idea that Anthropic could be both a supply chain risk and absolutely essential to the government is absurd, of course, but that’s where we are. “In addition to profoundly damaging the business environment, AI industry, and national security, this is also incoherent,” writes Ball. “How can one policy option be ‘supply chain risk’ (usually used on foreign adversaries) and the other be DPA (emergency commandeering of critical assets)?”

Could this debacle really be as wild and worrying as it all seems? AI industry folks and academics aren’t doing anything to dissuade me of that opinion.

“In a normal news cycle in a normal year, Anthropic versus the Pentagon would be the story of the year,” posted Alexander Panetta, a graduate student in AI management at Georgetown. We’ve got “the military threatening a top A.I. lab over a defining question of our century’s technology.”

“This anthropic pentagon beef is really spooking me,” posted Dave Banerjee, an associate researcher at the Institute for AI Policy and Strategy (IAPS) and research manager for Cambridge University’s ERA fellowship. “I truly hope we do not let surveillance infrastructure get quietly normalized through defense contracts,” he added.

Onni Aarne, a consultant with IAPS, pointed out in response to Banerjee that the Pentagon hasn’t said it plans or wants to use Anthropic tech to do mass surveillance.

And that’s true—from what’s been reported, it doesn’t seem Hegseth has explicitly said that the military will use Anthropic AI for autonomous weapons or mass spying. He just doesn’t want to have to debate those or other use cases with a military contractor. The Pentagon’s position is basically: Hey, nobody tells us what we can and can’t do! 

I think the lack of a specifically expressed intent to use Anthropic AI in this way is cold comfort. For one thing, it would be weird for the government to make such a stink about these two limits if it wasn’t at least considering the possibility of using AI in these ways.

But on some level, what the Defense Department actually plans to or will do in the near future isn’t the point.

The truly scary thing here is the suggestion that tech companies that contract with the government aren’t allowed to place limits on how the government uses their products, and that doing so could wind up getting them broadly penalized and seeing their products essentially seized for government ends anyway.

The Anthropic situation showcases the broader conundrum facing U.S. tech companies.

People frequently get very down on tech companies for complying with government demands in the slightest—at Apple for removing an ICE-tracking app, for instance, or at Google for complying with an ICE subpoena for a student user’s data. And, sure, it would be great if tech companies always placed the highest premium on civil liberties. But we’ve seen what’s happened in the past with companies that don’t comply with the federal government’s demands—just look at Backpage, for instance.

Situations like this one with Anthropic once again showcase the stakes for tech companies that don’t comply with the government’s every demand.

I don’t know what the right answer is for tech companies. And I greatly admire folks like those at Backpage and Anthropic who won’t back down from principles in the face of government pressure.

But I can also understand how hard it must be for tech leaders in these positions, and the tradeoffs that may be involved. In this case, Anthropic may lose a lucrative contract and have its business dealings with others compromised only to be forced to do the government’s bidding anyway and/or to watch another, more willing—and less scrupulous all around, perhaps—company step into its place.

When Robby Soave and I debated Ryan Grim and Emily Jashinsky about Big Tech back in December, Grim and Jashinsky pointed to tech company compliance with government surveillance and malfeasance as evidence that Big Tech does more harm than good. But Soave and I argued then, and I argue now, that while it may be psychologically satisfying for people to lash out at big corporations, we should focus our anger on the actual root of these problems: the government. Tech companies might not always react perfectly to government pressure, but the real enemy of civil liberties here is the government actors who are doing the bad deeds, demanding that tech companies go along with them, or insinuating that failure to comply will lead to severe consequences.


The Cato Institute tomorrow is hosting a conference—both in-person and virtual—on the past, present, and future of Section 230. It’s bringing together Section 230 co-author Sen. Ron Wyden (D–Ore.) and an array of civil liberties–minded tech policy scholars and researchers for what should be some interesting discussions, including one on Section 230 and AI. You can register to attend in person or watch along from home here.


Repeating ed-tech mistakes? Laptops and other technology in schools were once almost universally assumed to be a good thing, writes Kelsey Piper at The Argument.

One prominent book argued in 2008 that half of high school classes would be fully online, at a third of the cost and with better educational outcomes. Read some early coverage of “laptops in schools” initiatives, and the only real objection raised is that it might be too expensive to be feasible; even the critics agreed that it would obviously be good.

There were high hopes, too, that in developing countries, computer access would mean that kids in the world’s poorest places could get an education on par with kids in the richest countries. In practice, while some interventions in some contexts seem to help a little, the hoped-for large-scale gains haven’t been realized internationally either, with the OECD finding “no appreciable improvements in student achievement … in the countries that had invested heavily in ICT for education.”

The high hopes seem sort of silly, in retrospect. Even endowed with the exact same technological tools, kids are not endowed with the same ability to learn well in an online format or the same time and propensity to use laptops for educational purposes.

Piper points to pedagogy (“how students master material”), institutional incentives, and problems with expanding programs at scale to explain why the promises of ed tech haven’t panned out. “Why does this matter?” she writes. “I’m worried that we’re lining ourselves up to make the exact same mistake bringing AI into classrooms — and I think it’s possible to do better.…But if we don’t address what went wrong with ed tech version 1.0, there’s no real reason to think version 2.0 will go any differently.”


There was a time in the ’90s when civil libertarians fought tooth and nail for internet freedom. They largely won.

Now, their gains risk reversal. More people are clamoring for age verification and a “papers, please” approach to accessing vast swaths of the web.

Here is @EFF… pic.twitter.com/qUDwhWXmRO

— Nico Perrino (@NicoPerrino) February 24, 2026


• Whoops—software engineer Sammy Azdoufal “accidentally gain[ed] control of 7,000 robot vacuums.”

• Researcher Waydell D. Carvalho identifies what he calls the “age-verification trap:” “Strong enforcement of age rules undermines data privacy.” That’s because “the only way to prove that someone is old enough to use a site is to collect personal data about who they are. And the only way to prove that you checked is to keep the data indefinitely. Age-restriction laws push platforms toward intrusive verification systems that often directly conflict with modern data-privacy law.”

• The New Yorker looks at a new book, Injustice Town: A Corrupt City, a Wrongly Convicted Man, and a Struggle for Freedom, and homes in on sexual corruption allegations against the lead detective in this case and law enforcement more generally:

Compared with the extensive coverage of police violence in recent years, there’s been relatively little discussion of sexual exploitation by law enforcement. In 2015, the Associated Press published a report that said nearly a thousand police officers in the U.S. lost their licenses as a result of sexual misconduct between 2009 and 2014—a figure that represented a “sure undercount,” the report noted, since nine states, including New York and California, didn’t keep relevant records. Women engaging in drug use and sex work are particularly vulnerable.

[…]

Pilate’s sources told her that Golubski frequented sex workers in his patrol area while on duty, stole drugs from dealers and provided them to women in exchange for sex, and was reputed to have had multiple children with women in the area. The confidential informants who helped him close cases so swiftly included women he had sexual relationships with, some of whom were addicted to drugs. He threatened to arrest women if they refused sex. Golubski’s predatory behavior seemed to have been not so much an open secret as just open. Ruby Ellington, the first Black woman to work as a police officer in K.C.K., was in the same police-academy class as Golubski. In a 2015 affidavit, she said that Golubski used his badge as “leverage to get what he wanted,” and that his exploitation of Black women was “no secret”: “Everyone in the Department knew that when Golubski would go out on calls, that any black female involved would likely end up in his police car with him.” Several other officers shared similar stories; one Black officer said that the higher-ups thought that Golubski’s predilections were “funny.” (Golubski’s superiors admitted to knowing something about what one described as his “affinity” for Black women, but denied knowledge of rampant sexual exploitation, and said that there were no complaints filed against him.)

• Americans are worried about AI but also worried about the government restricting human speech that utilizes AI, according to a new poll from the Foundation for Individual Rights and Expression (FIRE). “In total, a whopping 92% of Americans say it is at least somewhat important for governments to protect free speech when regulating AI, including 60% who say it is ‘very’ or ‘extremely’ important,” FIRE reports.

• The approximately half a billion “kids safety”/internet censorship bills being considered in Congress are slated for markup before the House Energy and Commerce Committee next week.



Read the full article here

Fact Checker

Verify the accuracy of this article using AI-powered analysis and real-time sources.

Get Your Fact Check Report

Enter your email to receive detailed fact-checking analysis

5 free reports remaining

Continue with Full Access

You've used your 5 free reports. Sign up for unlimited access!

Already have an account? Sign in here

#FreePress #IndependentMedia #MediaAccountability #MediaBias #PoliticalCoverage
Share. Facebook Twitter Pinterest LinkedIn Tumblr Email Telegram Copy Link
News Room
  • Website
  • Facebook
  • X (Twitter)
  • Instagram
  • LinkedIn

The FSNN News Room is the voice of our in-house journalists, editors, and researchers. We deliver timely, unbiased reporting at the crossroads of finance, cryptocurrency, and global politics, providing clear, fact-driven analysis free from agendas.

Related Articles

Media & Culture

Why So Many People Feel Lost

17 minutes ago
Cryptocurrency & Free Speech Finance

Paradigm, Hyperliquid Policy Center Push Back on GENIUS Act Stablecoin AML Rule

46 minutes ago
Media & Culture

‘CBS news is on fire’

1 hour ago
Cryptocurrency & Free Speech Finance

Solana Sponsors the World Series of Poker, Enabling Crypto Entry Fees and Payouts

2 hours ago
Media & Culture

Supreme Court Surprisingly Backs FCC Effort To Punish AT&T, Verizon For Spying On Public Location Data

2 hours ago
Media & Culture

Illinois Just Adopted a Half-Baked Scheme to Tax Social Media

2 hours ago
Add A Comment

Comments are closed.

Editors Picks

Prediction markets get first U.S. rule proposal as CFTC pursues contract reviews

39 minutes ago

Pyth Launches 24/7 Pricing Indices for Stocks and Commodities

42 minutes ago

Paradigm, Hyperliquid Policy Center Push Back on GENIUS Act Stablecoin AML Rule

46 minutes ago

‘CBS news is on fire’

1 hour ago
Latest Posts

Hungary’s Sziget festival is known as a safe place to express yourself freely. Photo: Sandor Csudai/www.facebook.com/csudaisandor This article first appeared in the Spring 2026 issue of Index on Censorship, The monster unleashed: How Hungary’s illiberal vision is seducing the Western world published on 2 April 2026. Crossing Budapest’s brutalist K-Bridge across the Danube to Óbuda Island on a grey spring day feels like the last journey of a condemned prisoner. The steel truss bridge was built as a temporary measure in 1955, a year before the uprising in which university students and ordinary citizens took to the streets to protest against the Stalinist government of Mátyás Rákosi. The single set of railway tracks suggests a one-way journey. It was built to give access to Budapest’s great Ganz Danubius shipyard. The shipyard was finally closed in 2000, after years of decline. These days, the bridge acts more like a rabbit hole from Orbán’s Hungary into Wonderland. Every summer, hundreds of thousands of people young and old cross to the leafy island to be entertained by music, theatre and dance, and to be challenged by debate, art and film – the joyous week-long celebration of free expression that is the Sziget Festival. Sziget was born from the ashes of Communism. In 1993, four years after the fall of the Iron Curtain, Károly Gerendai was just 22. Thin and sporting a shock of long hair like a Hungarian David Gilmour, Gerendai had become interested in the music industry whilst in high school. As a student, he earned money fly-posting and as a tour manager. Later, he managed bands and worked for record labels. That year, he was in charge of Sziámi, one of the best-known alt-rock bands in the Hungarian underground scene. On the tour bus after a concert, he fell into conversation with Péter Müller, the band’s frontman. “We talked about how, after the political transition, the big youth events had disappeared,” Gerendai told Index. “Before the political transition of 1989–90, there were state-organised youth events, but we quickly realised that they mainly served as a way for the state to control young people. Although we could meet and have fun together, we always felt the state’s watchful eye on us.” State control extended beyond the audience and on to the stage. “In the music industry, strong state selection was also in place: there were supported, tolerated, and banned bands, so not everyone was allowed to be heard.” This is where the seed of something new was born. Post Iron Curtain Co-founder Károly Gerendai. Photo: Sziget Festival “We thought it would be great to organise a multi-day event where young people could be together – something like a holiday combined with concerts, various cultural programmes, and community activities,” he said. Gerendai and Müller approached Gábor Demszky, mayor of Budapest at the time and first of the post-Communist era, for help. “He supported the concept but told us to organise it ourselves,” Gerendai told Index. “Even though we had no experience with anything like this, we boldly jumped into the organisation.” This make-it-up-as-you-go-along approach was typical in post-Soviet eastern Europe. The mayor suggested three possible venues for the festival, one of which was Óbuda Island. The island punctuates the Danube like a giant green exclamation mark between the city’s two halves, Buda and Pest. “Two iconic music events had previously been held there, both attracting huge interest,” said Gerendai. “One was the 1980 Black Sheep concert, a rare occasion when both tolerated and banned bands were allowed to perform. Then in 1991, it was one of the venues for the ‘Goodbye, Ivan!’ event celebrating the withdrawal of Soviet troops. I had worked on that event, which is how I got to know the subcontractors we later invited to help organise our festival.” Hungary’s youth were ready for a party. After only a few months’ preparation, the festival – initially called Diáksziget, Student Island in Hungarian – attracted 43,000 visitors over seven days. “We organised the first festival with the slogan ‘We need a week together’, referring to a carefree, shared community experience. Another slogan was ‘Everything is allowed, but nothing is mandatory’, which was meant to help us leave the past behind, celebrate freedom in every sense, and express that we never again wanted to live in a dictatorship,” said Gerendai. A wobbly start The line-up for the first festival was largely made up of Hungarian artists, such as alt-rock band Kispál és a Borz, punk band Tankcsapda, and singer János Bródy. In all, 200 bands performed on the festival’s two stages, alongside open-air movies and theatre productions. Yet, as was often the case after the fall of Communism, things didn’t work out as planned. Despite receiving sponsorship from Pepsi, the country’s Nagykanizsa brewery, and some support from the city of Budapest, the festival lost money. Lots of it. “It didn’t go smoothly,” admitted Gerendai. “We faced numerous problems during the process and made serious financial miscalculations.” By the end of the festival, it had run up a huge deficit, and only survived thanks to a bailout by the city council. But after this first turbulent year, Sziget not only survived but thrived. The following year saw the number of festivalgoers – or Szitizens as they are usually known – increase to 143,000. International acts like Jethro Tull, The Birds, and Jefferson Starship started to appear on the line-up. “Sziget outgrew Hungary’s borders early on, and we consciously developed the programme lineup, services, and visual identity so that we would be seen as a unique festival on the international scene as well,” said Gerendai. A beacon of light Chappell Roan on stage at Sziget. Photo: Sziget Festival By 2019, the festival was attracting more than half a million visitors to the Hungarian capital every year. The festival’s reputation was such that it was bringing in some of the world’s biggest music acts, including Arctic Monkeys, Kendrick Lamar, Kings of Leon, P!nk, Rihanna, Muse and David Guetta. Óbuda Island has remained the home of the festival. “It’s a great location: close to downtown Budapest, yet also a green, nature-filled area. It’s also symbolic – an island surrounded by a river, where once you cross the bridge, you can leave everyday problems behind,” Gerendai told Index. “It’s the origin of the nickname given by visitors: the Island of Freedom.” This nickname comes from the festival’s commitment to allowing artists and festival goers to speak their views – and was easy to pull off in a liberal city like Budapest keen to attract to hordes of young foreign tourists to boost the economy. In Gerendai’s opinion, freedom of expression was one of the major achievements of Hungary’s political transition in the 1990s. “I believe freedom of expression is a broader concept than simply who we agree or disagree with; it’s not fundamentally our role to judge other people’s views. At Sziget, we have always provided space for differences of opinion and we respect artistic freedom of expression on stage as well. At the same time, we do set limits: we do not allow hate-inciting or human-dignity violating expressions, and we also do not give space to extremist productions whose audiences could potentially endanger the safety of festival visitors.” As well as music, the festival is a thriving forum for circus, street theatre, film, visual arts and cabaret. At the heart of the festival is an area called Think for Tomorrow. The zone addresses pressing social issues that have an impact on the lives of young people, from their own perspective. “NGOs and organisations that play an important role in social and cultural life have also had their own dedicated space at Sziget since the early days,” said Gerendai. “These groups are worth introducing to the festival audience, and their work aligns with Sziget’s core values, such as sustainability, the protection of human rights, and acceptance.” Stepping back Magic Mirror at Sziget. Photo: Kristóf Hölvényi /Rockstar Photographers www.instagram.com/kristofholvenyi/ Eight years ago, after running 25 Sziget festivals, Gerendai decided to step back and sell his interest in the festival to promoter Superstruct, owned by American private equity company KKR. “I decided to pass the baton and from then on followed the festival only as a guest,” he said. During his time at its helm, the values of the Sziget festival had grown increasingly at odds with those of Viktor Orbán’s Fidesz government. There is a huge LGBTQ+ presence at Sziget, both in visitors and artists, with the Magic Mirror venue on the site hosting themed content exploring the LGBTQ+ experience. After the Orbán government introduced anti-LGBTQ+ legislation in 2021, the festival’s new organisers came under pressure over its stance, and there were calls for them to ban under-18s from Magic Mirror. The organisers refused. Sziget’s audience has made itself heard on [former Hungarian prime minister] Orbán over the past few years. At the 2023 festival, during Hungarian rapper Krúbi’s performance the audience started chanting Mocskos Fidesz (Filthy Fidesz). This chant has since become popular common at the festival and at other music events. The Kneecap ban Friction between the festival and Orbán burst into the open in 2025 after Irish rappers Kneecap, who were due to perform at the festival that summer, were banned from the country for being a national security threat. Kneecap are outspoken critics of right-wing political ideology and are particularly scathing about the Israel-Gaza War. Kneecap (along with Bob Vylan) had performed inflammatory sets at Glastonbury the month before and Orbán, for his part, has been strengthening his strategic alliance with Israel, going so far as to declare that “Jewish communities are safer in Budapest than anywhere else in Europe”. Orbán told state broadcaster Kossuth Radio that he was angry that the band had been invited to play at Sziget. He claimed that the organisers’ decision was motivated by financial gain. “Is this damn money really that important?” Orbán asked the radio presenter. Even though they were unable to perform, Kneecap shared a message with festivalgoers gathering at the stage on which they were due to perform. The message read: “We wish we could be there with you at one of the best festivals in the world and the first European festival Kneecap ever played,” the message read. “We can’t because of one hate filled man. Viktor Orbán.” When this part of the message was displayed, a huge crowd who had been told on social media to expect something from the band started booing and chanting “Fuck Orbán”. The message continued: “We have been convicted of zero crimes in any country ever. But we will call out oppression. For calling out Israel’s genocidal campaign Viktor has banned us from your beautiful country for three years. Israel is committing a genocide against the Palestinian people. Viktor Orbán and his government support it. Viktor Orbán and his government tried to shut down Pride in Budapest. They failed. We must stand together. Oppose Orbán. Oppose Israel. Oppose genocide.” The festival’s robust stance in favour of LGBTQ+ rights has won it the European Festival Awards Take a Stand prize twice, in 2023 and 2026 (for 2025). The award recognises festivals that stand up for peaceful dialogue, humanism, tolerance, and mutual understanding – activities that do not necessarily chime with the profit imperative. Stepping forward again It is true, though, that since the Covid pandemic money has been a big problem for the Sziget festival. Like many other European music festivals, Sziget had struggled thanks to two years of cancellations, the spiralling cost of living, and sharply rising artist fees. The festival lost $5.6 million in 2023, and almost $12 million in 2024. In 2025, the company running the festival (without Gerendai) sent a letter to Budapest mayor Gergely Karácsony calling for the agreement between the festival and the city, as the island’s landowner, to be terminated. The festival seemed to be doomed. But the return of a familiar figure saved it at the last minute – its co-founder, Gerendai. “The new owner decided that they no longer wished to finance the festival, which had found itself in a difficult situation in the post-pandemic years due to economic conditions and, in my view, certain conceptual decisions as well,” said Gerendai. “They offered that if I took Sziget back, we could continue organising it under my leadership. So it was either I return – or there would be no Sziget.” “It caused me several sleepless nights, since in the meantime I had been working on completely different things,” Gerendai told Index. “But in the end, I felt that a festival that has become a cultural institution in Hungary and is also significant on the international scene simply cannot end abruptly. Besides, this is my child – I couldn’t abandon it.” Superstruct has come under huge pressure from activists and artists since its acquisition by KKR in June 2024. KKR has significant investments in Israeli companies, including some operating in the West Bank. In May 2025, a number of artists pulled out of the UK’s Field Day festival because of its Superstruct ownership. The transfer of the licence from Superstruct back to Gerendai almost didn’t happen. Budapest City Council initially blocked the transfer, with councillors from Fidesz and Péter Magyar’s opposition Tisza party abstaining from the vote. However, Hungary’s Index newspaper reports that Magyar, reacting to negative sentiment from potential voters over the news that Sziget might fold, quickly arranged a meeting with Gerendai. On 30 October, Magyar posted a picture of himself and Gerendai on Facebook, announcing that the pair would meet again at the 2026 festival after agreeing on two amendments to the proposals: first, that the costs of using the island would be paid back to the city by 2030 rather than 2035, and second, that all Hungarians under the age of 25 would get discounted tickets to the festival – a potential vote-winner among this demographic. Gerendai himself won’t be drawn on his politics. The 2026 Sziget festival is now set to go ahead from 11 to 15 August 2026, featuring Florence + The Machine, Lewis Capaldi, Sombr, Twenty One Pilots, Biffy Clyro and Underworld as well as hundreds of others including Hungarian rapper Sisi on the line-up. Gerendai said, “Many large music festivals operate primarily as business ventures focused on who is performing. In recent years, Sziget had also started to move in this direction, but I believe a festival should stand for more than that. Cultural diversity must be emphasised, as well as a commitment to core values. Reaffirming this ambition can be the key to long-term success – and this is what we aim for in the future.” The future for music festivals remains uncertain but, for now, the legendary island of freedom looks safe back in Gerendai’s hands. READ MORE

2 hours ago

CoinDesk 20 index drops 1.4% as all constituents decline

2 hours ago

Equipment Finance Platform Trad.Fi to Bring $650M in Private Credit Onchain

2 hours ago

Subscribe to News

Get the latest news and updates directly to your inbox.

At FSNN – Free Speech News Network, we deliver unfiltered reporting and in-depth analysis on the stories that matter most. From breaking headlines to global perspectives, our mission is to keep you informed, empowered, and connected.

FSNN.net is owned and operated by GlobalBoost Media
, an independent media organization dedicated to advancing transparency, free expression, and factual journalism across the digital landscape.

Facebook X (Twitter) Discord Telegram
Latest News

Why So Many People Feel Lost

17 minutes ago

Prediction markets get first U.S. rule proposal as CFTC pursues contract reviews

39 minutes ago

Pyth Launches 24/7 Pricing Indices for Stocks and Commodities

42 minutes ago

Subscribe to Updates

Get the latest news and updates directly to your inbox.

© 2026 GlobalBoost Media. All Rights Reserved.
  • Privacy Policy
  • Terms of Service
  • Our Authors
  • Contact

Type above and press Enter to search. Press Esc to cancel.

🍪

Cookies

We and our selected partners wish to use cookies to collect information about you for functional purposes and statistical marketing. You may not give us your consent for certain purposes by selecting an option and you can withdraw your consent at any time via the cookie icon.

Cookie Preferences

Manage Cookies

Cookies are small text that can be used by websites to make the user experience more efficient. The law states that we may store cookies on your device if they are strictly necessary for the operation of this site. For all other types of cookies, we need your permission. This site uses various types of cookies. Some cookies are placed by third party services that appear on our pages.

Your permission applies to the following domains:

  • https://fsnn.net
Necessary
Necessary cookies help make a website usable by enabling basic functions like page navigation and access to secure areas of the website. The website cannot function properly without these cookies.
Statistic
Statistic cookies help website owners to understand how visitors interact with websites by collecting and reporting information anonymously.
Preferences
Preference cookies enable a website to remember information that changes the way the website behaves or looks, like your preferred language or the region that you are in.
Marketing
Marketing cookies are used to track visitors across websites. The intention is to display ads that are relevant and engaging for the individual user and thereby more valuable for publishers and third party advertisers.